Due to scheduling issues, we won’t have a review of the new live-action remake of Aladdin in the blog this week. Assuming that it’s anywhere near as awful as it looks (because it looks really awful), this makes us wonder how badly Disney might mangle some of its other classics.
M. Enois Duarte
Just this year alone has seen the live-action remakes for Dumbo, Aladdin, and The Lion King, and there are already plans for Lady and the Tramp, Cruella, and Mulan for next year. This steamrolling effort to adapt classic animated features is clearly not going away anytime soon. I wonder what it would look like if Disney execs attempted a live-action reimagining of Pocahontas. No surprise to anyone who knows Disney’s history with diversity, the love story of a young Native American woman falling for an imperialist British settler caused quite the controversy and uproar in the summer of 1995.
Given the studio’s future plans, this would be an opportunity for the House of Mouse to correct some serious wrongs. The plot – which is very, very, VERY loosely based on real tragic events – is historically inaccurate, culturally offensive, and racially insensitive. Then again, seeing as how Tim Burton’s Dumbo turned out to be a box-office flop (barely making back its overhead costs thanks to overseas ticket sales) and Guy Ritchie’s Aladdin might be another misguided failure (the reviews have been lukewarm at best so far), a live-action adaptation of Pocahontas could turn out to be just as divisive as its predecessor.
Just to add insult to injury, how about we have Bobby Farrelly direct, since his brother Peter was also tasked with bringing a “very loosely based on a true story” tale to life and look at how that… Well, that’s a discussion for another time.
At this point, I can pretty much imagine Disney remaking just about any classic into a garish live-action feature. I’ve always liked The Emperor’s New Groove and would think that a remake is completely unnecessary, so naturally Disney will select it soon. I can see Tim Burton directing with Amy Schumer as emperor Kuzco, Channing Tatum as Pacha, and of course Helena Bonham Carter as the spell-casting Yzma.
Adam Tyner (DVDTalk)
I’m sure it goes without saying that Abel Ferrara is going to shift the backdrop for his live-action version of The Aristocats. Au revoir, early 20th Century France. How you doin’, gritty modern-day New York!
From what I’ve seen of an early treatment, the beats of the plot are largely the same, just Ferrara-ified. Hoity-toity cat Duchess (voiced by Shanyn Leigh) and her wee little kittens take a tumble out of the car when their owner ODs upstate. Though they’re briefly lost and alone, Duchess’ new alleycat pal Thomas (voiced by Harvey Keitel) volunteers to help her back into the city.
The journey is arduous enough already – being shot at while hitching a ride on a dairy conglomerate’s 18-wheeler, attacked by strung-out geese on the train – and it’s about to get a whole lot worse. You see, Duchess’ dead owner left her fortune to her cats, and her nefarious butler Edgar (Willem Dafoe) is hellbent on killing them to claim that cash for himself. Thankfully, Duchess and company have made plenty of friends along the way to help them out, including underground rapper Scat Cat (voiced by Schoolly D) and disgraced police horse Frou-Frou (voiced by Christopher Walken). Edgar may be out for blood, but these kitties have sharper claws than he knows.
When I saw Guy Ritchie’s name attached to Aladdin, I could hardly fathom a less appropriate matching of director and content. In what way was the man who made Snatch qualified to helm a fantasy musical set in the Middle East? It boggles the mind how that deal got inked.
Along those lines, I suppose it’s inevitable for Mel Gibson to direct a remake of Song of the South. The original movie has long been one of the most problematic titles in Disney’s catalog, so much so that the studio has suppressed it from release for decades. Yet characters and songs from it are still featured on the Splash Mountain rides at multiple Disney theme parks, and I have no doubt that the corporate execs are eager to further monetize them. Who better to handle such material with sensitivity than the man famous for his multiple racist meltdowns? I can’t wait to see how he turns a stereotype-heavy collection of folk fables into a hyper-violent religious parable. Zip-a-Dee-Doo-Dah, indeed.
Which of its classics do you think Disney will desecrate next, and how much of a mess will the result be?
The blog will take Monday off for the Memorial Day holiday. Have a great long weekend!