-
HDD on Set (Part 2): Exclusive Interview with 'Curse of Chucky's Brad Dourifby Tom Landy In Part 1 of our exclusive 'Curse of Chucky' coverage, I talked a little about my visit to the set back in the fall of 2012 where I was able to meet and chat a bit with actress Fiona Dourif. [teaser]Now in Part 2, we'll keep it in the family by spending some time with the voice of Chucky himself -- actor Brad Dourif. [/Teaser] In a career spanning over 30 years, Brad has appeared in numerous film and TV projects with such memorable roles as Doc Cochran on 'Deadwood,' the slimy Grima Wormtongue in Peter Jackson's 'The Lord of the Rings' Trilogy, Billy Bibbit in 'One Flew Over the Cuckoo's Nest' (which also landed him an Oscar nomination), and of course -- the psychotic redheaded doll with a killer attitude in the 'Child's Play' franchise. Clad in a 'Chucky' T-Shirt, Brad had actually finished filming earlier in the day, but stayed behind on set just to be interviewed anyway (what a truly awesome guy!). So without further ado, let's sit down with Mr. Dourif and see what he has to say about Chucky, starring in a film with his daughter -- Fiona, and acting in general. HDD: What made you decide to do another 'Chucky' sequel, Brad? Brad: Mmmoney (laughs). Um, no, it wasn't money... Trust me. How do you say no to Don? You know? We've been doing this for so long. And then there's the idea of having to live through somebody else doing Chucky. I couldn't handle it, I don't think at this point. I mean, I don't know why I have any fondness for Chucky. He's certainly hasn't earned fondness but um, I don't know. I really don't know. And now, you know, Fiona -- my daughter is doing it, so I'm so glad I did it. HDD: Brad, do you have a preference between voice acting and traditional on-camera acting? Brad: I prefer on-camera. By leaps and bounds. On-camera you are so engaged. It's a dance, it's -- um, you rely so heavily on the people that you're working with that that connection is your life. And you know, when whoever I'm working with, I have to get very close to them, and there's a kind of thing that happens on the set that happens nowhere else. And I feel sad when it's over. And yeah, I love it. God, I love it. HDD: It sounds like an addiction. Brad: It's worse than an addiction and it can become your life, if you're not careful. HDD: Chucky often has some pretty hilarious one-liners. How much of that is scripted and do they allow you the freedom to ad lib a lot? Brad: Well, of course, the only time that I can ad lib, is when we are in the recording studio. I have to record Chucky's voice before -- and it's usually a couple of months before shooting. At least a couple months before shooting because they're building the doll, the puppeteers would like a little time with it, and so forth and so on. So we do that. I do that. And I mean, with -- Jennifer Tilly is really into improvisation. I feel a little intimidated by it. I really prefer other people writing my lines for me. But Jennifer really brought me out and I had a lot of fun and we did do -- some of the best stuff I think, really, in 'Bride' -- was just stuff that happened. HDD: Oh, I didn't know that. Brad: Yeah. It was just stuff, we were just messing around. I think the whole thing with the prophylactics kinda just came up. HDD: You've got to love Jennifer Tilly for that scene. She was great. Brad: Yeah. HDD: If Chucky was ever to star in a "vs." movie (i.e. 'Freddy vs. Jason'), who would you like to see him go up against? Brad: OK, it would be very hard, it would be hard for me to imagine with another because Chucky is a doll. He's at a distinct disadvantage. Chucky's advantage is that he can always go (makes a blank deadpan face) and then somebody takes him and carts him off, you know? And then he comes to life and can kill and that's his thing. That's what he can do. The fact that dolls don't kill people, they're just dolls. And you know, you can't imagine Freddy Krueger not seeing straight through that one. And end of Chucky right there. Ummm...'Halloween.' Just as long as Zombie does it. Rob does it. AND Don. Don meets Rob! That would be great. Mancini vs. Zombie! I love it. We should do that. HDD: Didn't you say Don was always open to some ideas? Brad: Yes, and there's my idea, Don: Mancini vs. Zombie. HDD: You've played a wide variety of memorable characters throughout your career. Do you have a personal favorite role? Brad: First of all, honestly, my tendency is I love whatever I'm doing when I do it and then it's gone -- it's no longer mine anymore. I mean, there was a lot of things that I liked in 'The Lord of the Rings,' and there was a lot of things I liked in 'Deadwood,' that I liked doing, and of course it's been so long since I've done Billy Bibbit that I really don't remember. But there's a lot of other roles that I've played that I've loved for different reasons. But yeah, I don't, I don't have an absolute favorite. I just don't. I don't know. HDD: It sounds and makes perfect sense that you're vested when you're in it, right? Brad: Yeah, you're vested when you're in it, and I guess, I guess there was a lot about Wormtongue that was -- I had, of all the villains I've ever played, I had more real sympathy for him than I did for any other person. I really felt like here's someone who was always ugly, who was always just the odd person -- who learned to think ahead to avoid being hurt and then it became something useful. Who more to make -- if you can think ahead about what people are going to do, then you would be a great advisor to a king -- but never can be a part of the family. You know? He could never have what he wanted. And I thought that was -- you start there and you can have a great deal of sympathy for the guy. HDD: That makes perfect sense. At this point if you had the chance to play any character of your choosing -- who would it be and why? Brad: Well, I don't know if it would -- I would like to spend, to do something, I mean, the great difficulty and the most rewarding part is being a father, and I don't think I've ever explored that as fully as I would have liked to have -- ever. There's a whole huge amount of feelings and stuff around that. Also, I would like to do something about growing older, that really deals with that because, I mean, it's a problem. How do you grow old? I mean, you can't really, you want to be alive -- you want to be, but your body's not working as well as it used to, things hurt a lot more, you're starting to face death, you know? You start thinking about it more, I mean all of these things... and yet you want to be alive. And you want to enjoy yourself and you don't want to really make your life about that, so how do you do it? You know? And you're not as attractive as you used to be, you know? You don't walk down the street the same way. And people don't take you as seriously anymore. I mean, there's all this stuff that I think is worth expressing. HDD: To a certain extent you are a horror aficionado because of what you do for a living. Do you have a favorite horror movie? Brad: I don't watch horror, because I'm the kid who had to go to the bathroom pretty early on in the film and just never returned. I loved to hear about it from my friends and I would lie through the -- "Oh yeah, no man! I was at the back of the theatre I saw the whole thing." But I was too scared. I mean, it really frightened me. There was no way you could keep me -- one of my most embarrassing moments was I was with some friends of mine who I, like, really admired -- one of them was Paul Butterfield. Paul Butterfield. And we went to a drive-in for 'The Omen.' Now I'm in my car! You know? And I can't leave the car, you know? And I am scared to death. I mean, I am really terrified. And I really had to climb into the back and get under the seat and it was no point -- I mean, I humiliated myself completely -- but there was no way I could watch that. I mean, from the moment of "Damien, I'm doing it for you" and she jumps up I'm gone. That was it. HDD: But you do speak well of a lot of horror films and you know when you talk about Rob Zombie, there are some things that you do seem to be well versed in, if only from a creative standpoint. You know? Looking at it as a filmmaker. Brad: Yeah. You know, Rob Zombie is -- has anybody, it's amazing... if you have -- to all you young ones out there, if you find yourself being a geek and love horror, there might be a potential for you to make horror films... because that's where they come from. They come from people who love them. HDD: Yeah, I think they have to. I think they have to. Brad: Yeah. (Nodding) HDD: I know you've worked with your daughter Fiona before on 'Deadwood.' What's it like working with her here again? Brad: I don't know how to describe what it's like, but it was like watching her do her first night of shoot. I don't think, I could never imagine myself being that proud and that happy. She conducted herself with -- I mean, she was extraordinary. She was more than I could ever, ever imagine. She was so professional, she so completely new what she was doing, she was so committed -- her performance was so committed, it was so interesting -- I mean, the camera loved her. And I was going, you know what? She'll be okay. This one, this one will be okay. Watching Fiona work is the most thrilling moment of my career, really. HDD: One last question, you've also taught acting classes at Columbia. What would be the biggest pointer you could give to someone who is just starting out? Brad: Yeah. So just to clarify, I taught a course at Columbia University. And the course I taught was Directing Actors. It was for directors and teaching them how to work with actors. How do you keep all of this in your head and still try to get performances from your actors? And one of my students was this young guy who audited my class from NYU. A very bright guy named Don Mancini. And, give me the question...? HDD: What would be the biggest pointer you can give someone who is just starting out? Either as an actor and as a director, given that it was a course for directors about acting? Brad: Well, if you're starting out you have to remember #1 that if you're going to direct, the poet is the camera, the script is the skeleton, and the actors and what happens in front of the camera is the meat, blood, and muscle, that is put on the skeleton. You have to know how to write. You have to know how to act, and because you're going to talk to actors you should take an acting class. You have to love music. And you've got to be an artist... a painter. You have to know where to put the camera, and you have to know visually what makes things evocative. HDD: Great, thanks so much for your time Brad. Brad: Thank you for such interesting questions. 'Curse of Chucky' will be available on Blu-ray and DVD on October 8. Also be sure not to miss 'Chucky: The Complete Blu-ray Collection' -- a boxed set of all six films available on the same date.Posted Mon Sep 30, 2013 at 09:10 AM PDT by: -
'Springsteen & I' Dated for Blu-ray[teaser]The 2013 rockumentary featuring The Boss is planned for Blu-ray in October. [/teaser] In an early announcement to retailers, Eagle Rock will bring 'Springsteen & I' to Blu-ray release on October 29. Fully endorsed and supported by Bruce Springsteen, Springsteen & I is a unique feature music documentary celebrating a rock ‘n’ roll icon. The film has already enjoyed a very successful theatrical release grossing over $2.5 million in cinemas in 50 countries since July 2013. Working with the filmmakers, Springsteen’s fans have helped create a film that reflects on their personal experiences to explore what this timeless artist means to them amidst amazing performance footage. The experiences that form the emotional core of this compelling film are touching, at times humorous and frequently extraordinary insights and stories that all come from the heart. Springsteen & I is a film by the fans and for the fans, created with the full support of Bruce Springsteen, which tracks his career to date. Ridley Scott, Executive Producer, commented, “This beautifully crafted film provides a unique insight into the powerful bond between a recording artist and those who connect so profoundly with his music.” USA Today highlighted the “plethora of unseen material even the die-hards haven't laid eyes on yet” which includes footage of unseen Springsteen performances of classics such as “Dancing In The Dark,” “Born In The USA,” “I’m On Fire,” “Born To Run,” “The River,” “Thunder Road,” “Spirits In The Night,” and many more. As Bonus Features we also include six tracks from Bruce Springsteen’s 2012 Hyde Park performance: “Thunder Road”; “Because The Night”; “Shackled & Drawn” and “We Are Alive”, and “Twist and Shout” and “I Saw Her Standing There” accompanied by Paul McCartney sharing vocals. There is also additional fan contributions not included in the film. Springsteen & I is a celebratory experience that wears its heart on its sleeve. The NME said the film perfectly captured “the stomach-flipping feeling you get when Springsteen straps on a guitar”. Director Judd Apatow called the film “a great music doc. Really moving, it rocked. There is nobody like Springsteen.” Specs and supplements have yet to be revealed, but suggested list price for the Blu-ray is $19.98. You can find the latest specs for 'Springsteen & I' linked from our Blu-ray Release Schedule, where it's indexed under October 29.Posted Mon Sep 30, 2013 at 08:00 AM PDT by: -
Blu-ray Highlights: Week of September 29th, 2013As September draws to a close, the first Blu-ray slate for October brings us two great family classics refreshed and newly converted to 3D. Read all about these and more in today's Blu-ray roundup in the blog.Posted Mon Sep 30, 2013 at 07:00 AM PDT by: -
'The World’s End' Announced for Blu-ray[teaser]Edgar Wright's apocalyptic comedy is in the works for Blu-ray in November. [/teaser] In an early announcement to retailers, Universal Studios says 'The World’s End' will have a Blu-ray release on November 19. Five middle-aged friends set out to relive a beer-fueled odyssey from their youth, and end up in an epic battle to save humankind in the outrageous comedy 'The World’s End.' Labeled “sheer comic perfection!” by Peter Travers of Rolling Stone and called “Hilarious!” by Entertainment Weekly’s Chris Nashawaty, 'The World’s End' stars Simon Pegg ('Star Trek Into Darkness,' 'Paul') and Nick Frost ('Snow White and the Huntsman,' 'Paul'). This is the third and final film in Wright’s The Ultimate Three Flavors Cornetto® Trilogy, which also features hits 'Shaun of the Dead' and 'Hot Fuzz.' The Blu-ray/DVD/Ultraviolet Digital Copy combo pack will feature 1080p video, a DTS-HD Master Audio 5.1 soundtrack, and supplements will include: Feature Commentary with Writers Edgar Wright & Simon Pegg and Completing the Golden Mile: The Making of The World's End. Blu-ray exclusives include: Technical Commentary with Director Edgar Wright and Director of Photography Bill Pope; Cast Commentary with Simon Pegg, Nick Frost & Paddy Considine; U-Control - Storyboard Picture in Picture; Deleted Scene, Outtakes and Alternate Edits; Director at Work; Pegg + Frost = Fried Gold; Friends Reunited; Three Flavours Cornetto Trilogy; Filling in the Blanks: The Stunts and FX of The World's End; Animatics; Hair and Make-Up Tests; Rehearsal Footage; Stunt Tapes; VFX Breakdown; Bits and Pieces; There's Only One Gary King: Osymyso's Inibri-8 Megamix; Signs & Omens; Edgar & Simon's Flip Chart; Trailers and TV Spots; TV Safe Version; Galleries; and Trivia Track. Suggested list price for the Blu-ray is $34.98. You can find the latest specs for 'One Day' linked from our Blu-ray Release Schedule, where it's indexed under November 19.Posted Mon Sep 30, 2013 at 06:00 AM PDT by: -
HDD Deal of the Week: 'Searching for Sugar Man' Blu-ray $15.99 at Amazon[teaser]The acclaimed music documentary from Malik Bendjelloul is nearly sixty percent off this week at Amazon![/teaser] Amazon is now selling 'Searching for Sugar Man' for $15.99 (56% off the suggested retail price). 'Searching for Sugar Man' tells the incredible true story of Rodriguez the greatest `70s rock icon who never was. After being discovered in a Detroit bar Rodriguez's sound struck 2 renowned producers and they signed a recording deal. But when the album bombed the singer disappeared into obscurity. A bootleg recording found its way into apartheid South Africa and over the next two decades he became a phenomenon. The film follows the story of two South African fans who set out to find out what really happened to their hero. Click here to bring home the story about a mysterious Detroit musician and this offer is available from now through October 6.Posted Sun Sep 29, 2013 at 07:25 AM PDT by: -
High-Def Digest's Essential Picks: September 2013by Steven Cohen Every month, dozens of Blu-rays hit shelves, littering stores with high-def temptation. New releases, catalog titles, complete TV seasons, and elaborate box-sets all vie for affection, and with so many worthy releases targeting our wallets, choosing which discs to spend our hard earned cash on can be rather tricky. To make things a little easier, we here at High-Def Digest thought it might be helpful to bring you our top three must own recommendations for the month. From important classics to contemporary blockbusters, these are the discs that we consider to be the absolute cream of the crop. High quality releases with great video, audio, and supplements, these are the Blu-rays that are truly worth every penny. Last month we spotlighted an expertly crafted Southern drama with a heart, a multifaceted examination of rippling consequences, and a visually stunning science fiction adventure. If you haven't already, be sure to check out the Essential Picks for November, December, January, February, March, April, May, June, July, and August. [teaser]This month, we're covering an Academy Award nominated thriller, a Cold War spy tragedy, and a comic book blockbuster.[/teaser] Please be aware, that if you haven't already seen them, there might be some spoilers for the films listed. If you can only buy three titles that hit Blu-ray in September, here's what we suggest you pick up, starting with the most essential... 'The Fugitive: 20th Anniversary Edition' - I love weighty art films as much as any snooty critic -- but there's certainly something to be said about really great popcorn entertainment, especially when there's some legitimate intelligence and craft behind it. 'The Fugitive' is a perfect example of such a film, and even more, it ends up being one of those truly rare flicks that remains infinitely re-watchable. Seriously, whenever this movie is on, I'm somehow compelled to watch, and invariably always get caught up in its effortlessly thrilling drama. With a taut and twisting script, the filmmakers essentially play by all the rules of standard Hollywood filmmaking, but they execute the story's beats with such precision and excitement that this adherence to formula actually ends up being one of the film's strongest suits. And more than just an edge-of-your-seat thrill ride packed with memorable action, tense stand-offs, and strong character moments, the film also succeeds with one particularly tricky break from convention -- the use of dueling protagonists/antagonists. In some ways, both Kimble (Harrison Ford) and Gerard (Tommy Lee Jones) could be viewed as the heroes of the film, and while Kimble's quest for justice is the real focus, the movie sheds light on each man's motivations, creating a surprisingly complex dichotomy. Ford is at his grizzly, determined best here, fully selling his character's desperation and steadfast resolve, and Jones, in an Oscar winning turn, is simply perfect as the no nonsense Marshall purely out to get the job done. Add in Joey Pants and a one armed man, and you've got all the essential ingredients for a classic 90s thriller. With an improved video transfer, a new lossless audio track, and some solid special features, this 20th Anniversary release from Warner Bros. actually offers fans a very worthwhile upgrade. Basically the model by which most contemporary Hollywood thrillers are judged, 'The Fugitive' is pure entertainment without losing sight of interesting characters and an intricate plot. This is the type of title that viewers can watch and watch and watch, and somehow never get tired of -- and really, I think that might the very definition of a must own disc. 'The Spy Who Came in from the Cold' - The over-the-top adventure and debonair thrills of James Bond will always have a special place in my heart, but there is another side to the espionage genre equally worthy of praise. A side cast in murky shadows, where the line between hero and villain is sadly inconsequential. Where right and wrong are sacrificed for efficiency. Where human beings are simply tools, and the world is covered in an icy fog. Through a comparatively realistic take on spies, Martin Ritt's noir thriller, 'The Spy Who Came in from the Cold,' presents such a world, and its chilling insights are haunting. A far cry from the cheeky escapism of 007, Richard Burton's Alec Leamas is in many ways the antithesis of all things Bond. He's brooding and disillusioned, and though he carries a certain brutish physical appearance, he's not much of a fighter and he doesn't ever brandish a gun. Likewise, he doesn't travel to exotic locations or play around with cool gadgets, and instead of womanizing femme fatales, he sincerely falls in love with an innocent librarian. And perhaps most dramatically of all, his drink of choice is not a martini (shaken or stirred), it's simply whiskey -- and lots of it. This isn't the portrait of suave secret agent. It's the downtrodden reality of a used up civil servant, worn away by foul plays and rotten manipulations, and while this stark and cynical take on espionage lacks the fun of cinema's most famous spy series, the film's examination of heartless Cold War politics and dwindling humanity is palpably rich and thoroughly complex. While my full review covers many of the film's merits, I somehow failed to address the fantastic performances from Claire Bloom and Oskar Werner. As the elegant but naïve Nan, Bloom exudes comfort and support, and her tragic realization of the manipulation she's unwittingly been a part of is handled with heartbreaking frustration. In the role of Fiedler, a Jewish German communist determined to oust a double agent among his party, Oskar Werner is superb. His scenes with Burton are a joy to watch, and the mutual respect that develops between the two exploited men carries strong emotional resonance, especially when the true goals of Leamas' mission are exposed -- painting the solemn picture of a callous system that plays by only one rule: "expediency." Really every aspect of the production, from the gloomy black and white cinematography by Oswald Morris, to the achingly somber score from Sol Kaplan, is perfectly attuned to express an air of defeatist dread -- but as sorrowful as the tragedy is, and as a cold as the intricate plotting remains, there is a real human story here as well, exposing the manner in which even love and morality can be used as weapons by those in control. A near masterpiece of the espionage genre, and a fascinating counterpoint to the frivolous thrills of James Bond, 'The Spy Who Came in from the Cold' is a spy noir that only continues to gain prestige with age. This release from Criterion is exceptional, with fantastic video, audio, and supplements, making it an essential addition to any classic cinema fan's collection. 'Iron Man 3' - To be honest, though Marvel's celebrated armored hero is listed above, this last spot could have also easily gone to any one of this month's major blockbuster releases -- specifically 'World War Z' and 'Star Trek into Darkness.' They're all enjoyable flicks (though, with some notable flaws), but Tony Stark's latest adventure narrowly beats out the rest for September's final must own title. With Shane Black on board to write and direct, I was quite excited for 'Iron Man 3.' After all, Black and Robert Downey Jr. already proved that they make for a great team in the director's previous film, 'Kiss Kiss Bang Bang,' and with the added benefit of a super-powered suit of armor, there's really no way this flick could fail. Thankfully, for the most part, this assumption holds true. The cast is uniformly excellent, the plot places a welcomed emphasis on Stark's emotional plight without sacrificing big action, and Black injects the film with the clever wit and personality he's known for while playing up many of the same trademark sensibilities that fueled his 90s action scripts. With that said, not all of these quirks seem to fit well within Marvel's established world, and there are times when certain old school beats feel out of place (as sporadically amusing as it is, I could have done without the kid sidekick subplot). And then of course there's the "twist." As a comic book geek I was a little disappointed (though not surprised), but what really bothered me wasn't the reveal itself -- it's what we were still left with in its wake: a really generic villain. The bad guys have been the weak spots of all the Iron Man films, and sadly the filmmakers don't do much to fix that here. Still, the movie mostly works, and getting to hear Black's dialogue coming out of Downey Jr's mouth is worth the price of admission alone. Probably the most well-rounded of the trilogy, this latest installment in the franchise fits in well with its predecessors and is a very solid addition to Marvel's growing cinematic universe. For better or worse, hiring Shane Black proves to be an inspired choice, and though some might not like all of the decisions made, the director certainly puts his own unique stamp on the flick -- something that's increasingly hard to do on big budget Hollywood productions. Of course, it doesn't hurt that the Blu-ray itself features excellent video and audio, making it a great demo disc for home theater enthusiasts. And even those who hate the twist have to admit… Ben Kingsley is kind of awesome. So, there you have it. While there are many titles worth picking up this September, those are our top three must own recommendations. We'll be back next month with three more essential picks, but for now, what do you think of our selection? What are your choices for September's must own titles?Posted Fri Sep 27, 2013 at 01:00 PM PDT by: -
Weekend Roundtable: Best Movie Opening ScenesIn this week's Roundtable, we take a look at movies that have some of the greatest opening scenes we've ever seen. Share your picks with us in the blog today.Posted Fri Sep 27, 2013 at 12:00 PM PDT by: -
Let's Get a 'Dredd' Sequel![teaser]Do you want a sequel to the action-packed 'Dredd' starring Karl Urban? Well, make your voice heard and sign the petition! [/teaser] 2000 AD has just launched a campaign for fans of 'Dredd' to help green light a sequel. Mixing pulse-pounding action with mesmerizing visual effects sequences, the post-apocalyptic thriller hailed by audiences and critics alike stars Karl Urban ('Star Trek'), Olivia Thirlby ('Juno') and Lena Headey (HBO’s “Game Of Thrones”). The hugely anticipated sci-fi thriller directed by Pete Travis ('Vantage Point') takes place in a futuristic America. You can show your support by signing the petition, buying the Blu-ray 3D/Blu-ray Combo Pack, and/or spreading the word on social media (Facebook, Twitter, etc.).Posted Fri Sep 27, 2013 at 10:00 AM PDT by: -
'Ip Man: The Final Fight' Blu-ray Dated[teaser]Herrman Yao's action-packed epic is bound for Blu-ray in November. [/teaser] In an early announcement to retailers, Well Go USA is prepping 'Ip Man: The Final Fight' for a Blu-ray release on November 12. In postwar Hong Kong, legendary Wing Chun grandmaster Ip Man is reluctantly called into action once more. What began as simple challenges from rival kung fu schools soon finds him drawn into the dark and dangerous underworld of the Triads. Now, to defend life and honor, Ip Man has no choice but to fight - one last time. Specs have yet to be revealed, but the release will include: Making of Featurette, Cast & Crew Interviews, and International & US Trailers. Suggested list price for the Blu-ray is $29.98. You can find the latest specs for 'Ip Man: The Final Fight' linked from our Blu-ray Release Schedule, where it's indexed under November 12.Posted Fri Sep 27, 2013 at 08:00 AM PDT by: -
Blu-ray Packs '2 Guns' in November[teaser]The adrenaline-fueled crime thriller starring Denzel Washington and Mark Wahlberg will arrest Blu-ray in November. [/teaser] In an early announcement to retailers, Universal will unload '2 Guns' on Blu-ray on November 5. When an attempt to take down a drug cartel blows up in their faces, two undercover operatives are forced to go on the run together, though neither knows that the other is a federal agent. Suddenly, everyone on both sides of the law wants them dead, and their only hope is to trust each other. Filled with non-stop action and suspense, critics are raving “Washington and Wahlberg are at their very best” (Pete Hammond, Movieline). The Blu-ray/DVD/Digital Copy Combo Pack will feature 1080p video, a lossless soundtrack, and supplements include: Deleted and Extended Scenes; Undercover and Into Action; Feature Commentary; and Blu-ray exclusive The Good, The Bad, and the Sexy; Finding the Vibe; and Living Dangerously. Suggested list price for the Blu-ray is $34.98. You can find the latest specs for '2 Guns' linked from our Blu-ray Release Schedule, where it's indexed under November 5.Posted Fri Sep 27, 2013 at 06:00 AM PDT by:
