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'Chuck: The Complete Fifth Season' Blu-ray Dated[teaser]The final season of the cult action comedy TV series is coming to Blu-ray in May. [/teaser] In an early announcement to retailers, Warner Brothers is set to release 'Chuck: The Complete Fifth Season' on Blu-ray on May 8. Without the CIA as backup, Chuck will have to rely now more than ever on John Casey (Adam Baldwin, 'Firefly: The Complete Series'), Sarah Walker (Yvonne Strahovski, 'Killer Elite'), and a new Intersect -- Morgan Guillermo Grimes (Joshua Gomez, 'Chuck: The Complete Fourth Season'). Across this thrilling final season, Chuck will find that his wits, his friends, and his family are the only backup he needs. All 13 episodes will be presented on four BD-50 discs with 1080p video, DTS-HD Master Audio 5.1 soundtracks, and supplements include Chuck: The Final Episode - An intimate look at the climactic shooting of the final episode (featurette); Sandwiches and Superfans: The Saving of a Show (featurette); Spy Tunes: Scoring the World of Chuck (featurette); Chuck: The Beginnings (featurette); Chuck: Through the Years (featurette); Chuck: The Future (featurette); 2 full-length audio commentaries on the final two episodes by executive producers and key cast members; “Declassified” scenes; Gag Reel; Full versions of the Buy More TV commercials with Big Mike and Captain Awesome; and Extended version of the series finale episode. Suggested list price for the Blu-ray is $49.99. You can find the latest specs for 'Chuck: The Complete Fifth Season' linked from our Blu-ray Release Schedule, where it's indexed under May 8.Posted Thu Feb 2, 2012 at 01:00 PM PST by: -
Sundance 2012 Interviews: Jocelin Donahue and Frankie Shaw of ''The End of Love'by Luke Hickman In Mark Webber's 'The End of Love,' Webber plays a version of himself who's coping with the passing of his girlfriend, the mother of his two-year-old son. The film stars Webber and his real son Isaac. Frankie Shaw is the mother of Issac and appears in flashbacks as Isaac's mother. It's fun because Issac's parents are played by Issac's real-life parents. Jocelin, however, is one of the few actors in the film not playing his/herself. [teaser]After speaking with Mark Webber about his directorial debut at Sundance, I was given the opportunity to speak with Frankie and Jocelin about their roles in the making of 'The End of Love.'[/teaser] HDD – Luke Hickman: Frankie, as a mother, how hard was this process – allowing Mark to use your child as the driving force in his film? Frankie Shaw: Do you want an honest answer? HDD: Completely honest. Frankie Shaw: So, I read the outline. It was six pages. And I thought it was like. "Whatever – this totally isn't going to happen. This isn't going to be a real movie. This is someone with a little 5D camera – which doesn't even look like a camera – and you're shooting Isaac being Isaac." That's totally what I thought. And then I watched a rough cut – cut to eight months later – and I had a mini freak-out. Part of me thought that I'd turned a blind eye. So I talked with Mark a lot about it and what the film meant. And really, the one scene that I had trouble with was the camping scene. I had to process feelings of "was I a neglectful mom?" We talked though it and he assured me that [he didn't do anything damaging to Isaac]. As you see in the film, Isaac is crying and every time I see it, I'm uncomfortable. HDD: Probably just as uncomfortable as when you're a parent and you - Frankie Shaw: - you do something that makes them uncomfortable. Right! And here's the thing: you can't be a perfect parent. And it's about learning and understanding your motivation and your intention and possibly making a better decision next time and making amends for a mistake. I think it's really valuable for our children that you can say, "Honey, I'm sorry that I was upset this morning. I didn't get much sleep. I'm gonna try to engage with you now and be present with you." HDD: And they're so forgiving. Frankie Shaw: And they're like, "Ok, Mom. I love you. Let's play fireman!" HDD: It's the best. Frankie Shaw: Oh, yeah. HDD: After about ten minutes of watching the film, I said, "This has to be Mark's kid. There's no way that this little guy is an actor." Had it not been Isaac, the movie would not have worked. Frankie Shaw: And Isaac is a special little kid. HDD: He's awesome! And it's so cool because every parent will connect with it. Now, Jocelin, how is it playing yourself in a movie – well, a version of yourself? Jocelin Donahue: I was [playing] a character [in the movie] because I'm playing Mark's ex-girlfriend, yet we've never been in a relationship before. I would never leave someone so cruelly as she does! If someone said, "I have a kid," I'd never say, "Ok, I'm outta here!" That's not who I am, but that's who the character is. She's an actress type playing a little more ambitious – you know, hot-shit – than I am in real life, but that was fun being able to play that kind of character. But at the same time, my name is Jocelin too and I'm in there somewhere. HDD: Do you fear that might tarnish your image? You come across as so cool when we first meet you, but then turn cold quickly? Jocelin Donahue: I don't think so. I feel like she comes across like, "Oh, we're catching up and you're gonna say you have a kid in the middle of kissing me? And you're gonna tell me you love me? Why don't we go get dinner first?" HDD: I think she's cool until that point, then it all turns around. Jocelin Donahue: Yeah, I'm definitely in a more vulnerable position to be playing a version of myself than to be reading lines that someone else wrote for you. But I just trust Mark so much. He is really such a truthful storyteller that that's just part of the story. It has to be there and I'm grateful that I got to play that role. Frankie Shaw: You know what's really cool about her part is that it's the only part that anyone auditioned for. Everyone else was someone that Mark knew and this part was someone that he knew, but she was pregnant and couldn't do it. So it's actually a strong testament to Jocelin that she got the one part that needed to be filled. HDD: You were found worthy to join. Very cool. I didn't know that. Jocelin Donahue: It was really cool. I have to say that it wasn't a traditional audition because there was no script to audition. It was just me meeting Mark and talking about who I am who he is and what he wanted to do. And then on the day of the shoot – there were a couple nights where we shot those scenes – we just had to throw it all together and create a back story and be intimate in a way that tries to show people who have been in a long-term relationship before. It was thrilling, the excitement of that scene and of the process was just really creatively wonderful. HDD: Had you done any work without a script prior to filming 'The End of Love?' Jocelin Donahue: No. This was the first time. HDD: And this was completely unscripted, right? You just had bullet-points on what needed to happen in each scene? Jocelin Donahue: Exactly. There was the goal, the scenario, the set-up and what had to happen in the end – him saying, "I have a kid," and me saying, "I'm outta here." That was it. HDD: Wow. Did Mark direct you to act the way you did, or was most of that improvised too? Jocelin Donahue: It's like Frankie was saying – somewhere between feeling bad for him, realizing that he's drunk and maybe we shouldn't be doing this right now - that we're going too far - so it was kind of a fine line between being cold and being the ambitious actress character. HDD: Do you believe that Jocelin, the character in the movie, would have been with Mark has this not been the case? Jocelin Donahue: I hope that you can feel the love that we had before, but she's just in a different place in her life and she can't deal with someone who has a kid right now. Maybe that's too overwhelming to deal with. HDD: Thank you. Is this your first time here at Sundance? Jocelin Donahue: This is my first time. Frankie Shaw: I was here in 2010 with 'The Freebie,' which was with Katie Aselton and Mark Duplass. And that whole movie was improv too. But that's it. This is my second time here. HDD: So, Jocelin, being your first time, how's the festival going? Jocelin Donahue: It's so exciting to be here. It's every actor's dream to be part of Sundance. This is the goal of independent filmmaking – to get here and celebrate what Sundance is. HDD: I'm sure we'll see you both back here again soon enough. Do you two have anything lined up that might see here next year? Frankie Shaw: I leave tomorrow to shoot this indie [film] in Texas, a really dark story about this very hick family with a matriarch that's overpowering everything. The son has cerebral palsy and I play this fucked-up daughter that just went through a tragedy. This guy comes to town and as a local farmhand and sort of shakes up the family. HDD: Is the goal to get that playing here next year? Frankie Shaw: Let's hope! HDD: What about you, Jocelin? Jocelin Donahue: I worked on a couple of other films that we're waiting to see where they go – one called 'Free Samples,' a comedy with Jess Weixler as the lead. She's super funny. And then I did this other called 'Live at the Foxes Den,' where I sing. It was my first time auditioning with a song and performing a song, so that'll be exciting. HDD: Do you sing? Jocelin Donahue: In the shower (laughs) and karaoke. It was nerve-wracking up to the point of doing it, but on the day of shooting it, I had a lot of fun. Both films are just being finished now, so hopefully we'll hit the festivals soon. HDD: Well, hopefully I'll both of you back here next year. Thank you! Frankie Shaw: Thank you! Jocelin Donahue: Thank you!Posted Thu Feb 2, 2012 at 12:30 PM PST by: -
High-Def Holidays: February - It's Blu Love!by Dick Ward [teaser]So it's February. It's a month full of holidays and Blu-rays to celebrate them with, but there's one day we're not going to worry about in this list. If you're looking for something to cuddle up in front of with your significant other, this one isn't for you. This list is for the rest of the holidays - the strange and underappreciated ones that get overlooked in favor of chocolates and flowers. Nothing against chocolates, mind you.[/teaser] American Heart Month If you're seeing heart shaped boxes of chocolate and greeting cards and candies, that's probably because February is American Heart Month. It's a month set aside to educate people on heart disease and raise funds for organizations dedicated to that cause. If there's one man who can appreciate the concern over heart problems is Tony Stark, who had to imbed a reactor into his chest to fix his. Yes I'm talking about 'Iron Man'. Who else? February 4th - Create a Vacuum Day Before you get all science-y on me, yes, I know that a black hole isn't really a giant vacuum in space. I don't care, I'm still recommending 'Star Trek,' because Spock makes a black hole to suck up a supernova. Also because the movie is great and if you don't own it, you should. February 5th - Disaster Day Surely Disaster Day is meant to recognize disasters where people suffer physical harm, but there's such a thing as emotional trauma too. All kidding aside, George Lucas created a trilogy of films that made millions of people angry. Those people then took that anger out somewhere and in a million small ways the world got just a little bit worse. So watch the 'Star Wars' prequels in remembrance of May 19th, 1999, when millions of excited voices cried out in excitement, and were suddenly silenced. Feb 5-11 - Freelance Writers Appreciation Week Freelance Writers Appreciation Week is coming up and that means two things. First, you should really be appreciating me. Are you appreciating? Good. Now it's time to watch a movie about one of the most famous freelancers ever. 'Fear and Loathing in Las Vegas' an exciting tale, and if you take out the drugs and the drinking and the adventure, it's pretty much what all of us freelance writers do on a daily basis. Take out Tobey Maguire too. He's creepy. February 8th - Boy Scouts Day There are an awful lot of Boy Scouts in movies, but few of them are cool or heroic or even respected. While Russel in 'Up' isn't technically a Boy Scout, he starts out with the stereotypical Boy Scout behavior. He's dorky and dumpy and he doesn't have much going for him. In the end though, he kind of kicks ass. Feb 9 - Toothache Day Who the devil thought it would be a good idea to celebrate toothaches? Sick people. Crazy people. Still, there's at least one man that a toothache worked out for and that's Charles Foster Kane. Thanks to a toothache he got himself a hot new mistress that soon became a hot new wife. If you ignore the end of the relationship, it's actually kind of a sweet story. You really can't blame the character's descent in 'Citizen Kane' on the toothache. February 13th - Get a Different Name Day I thought to mention some of my favorite secret agents here, but both James Bond and Sterling Archer don't hide their names. In fact, they seem to go to great lengths to publicize them. So I turn to 'Fight Club,' because it teaches us that in death, a member of Project Mayhem has a name. His name is Robert Paulson. February 14th - Ferris Wheel Day Movies with Ferris wheels exist, but none of them come to mind. Why? Because the word Ferris brings up memories of what might be the best movie John Hughes ever penned - 'Ferris Bueller's Day Off.' That dreadful Honda commercial got me nostalgic, I'll admit. February 20th - Toothpick Patented I was recently reading ' Writing Movies for Fun and Profit ' by Ben Garant and Thomas Lennon and they told a terrific story about Jackie Chan. When the pair was pitching 'The Pacifier,' Jackie Chan suggested a bit of business where he would flick a toothpick at someone. He did so by flicking a toothpick past one of the writers and it "hit the opposite wall of the restaurant so hard you could hear it." It's a cool story, but 'The Pacifier' and 'The Spy Next Door' are terrible so get 'The Legend of Drunken Master' instead. February 24th - Dia de la Bandera I'm well aware that Dia de la Bandera is Mexico's Flag Day, but I also know that Antonio Banderas is awesome. Pick up the 'El Mariachi/Desperado' two-pack as well as ' Once Upon a Time in Mexico' if you're so inclined. I'm sure there's a flag in there somewhere, so appreciate it if you happen to notice it.Posted Thu Feb 2, 2012 at 12:15 PM PST by: -
Sundance 2012 Interviews: 'The End of Love' Star and Director Mark Webberby Luke Hickman Mark Webber may not be a household name, but if you're a fan of 'Scott Pilgrim vs. the World' or keep a finger on the pulse of indie filmmaking, you definitely know who he is. This year he's not only starring in three films at the festival, but he wrote and directed one of them, 'The End of Love,' with his toddler son as his co-star. Just about every one of the actors in the film plays a character version of his/her self, including Michael Cera, Jason Ritter, Aubrey Plaza, Amanda Seyfried and many more. [teaser]The day after the film's world premiere, Mark sat down with me to talk about what went into making his experimental film, why it works and - of course - I bring up 'Scott Pilgrim.'[/teaser] HDD – Luke Hickman: Correct me if I'm wrong, but 'The End of Love' is the first film you've brought to Sundance as a director, right? Mark Webber: This is the second film I've directed, the first one here as a director though. Right. HDD: I saw the film yesterday and absolutely loved it. Mark Webber: Thank you! HDD: It's one of those extremely personal films that, as a parent, it's just as real as life. The opening scene, watching Isaac wake up, rub his eyes and kick you in the ribs to wake you up, is awesome. I've got two daughters and watching that just made me miss them. Mark Webber: Right?! HDD: What a great way to open the film. You had the audience connected and laughing from the first shot of the movie. It's touching. Mark Webber: Thanks, man. HDD: How did you capture these moments on film? Mark Webber: Isaac was two-and-a-half when we filmed and I basically had a really awesome kind of rehearsal experiment process. The whole film was very experimental – the way it was made. I basically had my director of photography come over and spend a lot of time with Isaac. We shot on these small Cannon 5D cameras - which were very discreet - and I just had him come over and spend time with me and my son to "make some videos." We did this basically every day until it was normal. HDD: Did it take long to capture footage that was useable, or did he adjust to it quickly? Mark Webber: It was kind of right off the bat, pretty magical. I'll tell you why – the biggest thing is because I'm always there with him, so being there as his dad allowed me to really key in on his mood and rhythms. I built the whole movie around him, so basically, we shot on his schedule depending on how he was feeling. "Today he's a little crankier, so it would be better to do this scene." You know what I mean? HDD: Yeah, he was the star. Mark Webber: He was the star! The whole thing was made around him and in that way we were able to get perfect access. We were able to get the camera right here (holding his hand just inches away from his face) for some of those shot. The opening sequence that you talked about, when he's eating cereal, the camera is right in his face – and he doesn't even look at it. It was magical. HDD: While watching it, I was wondering, 'How did he get this performance out of this kid?' Then, at the Q&A afterward, I realized, 'This is his kid!' Mark Webber: (laughs) I love to work with a feeling like we're not making a movie – even when I've made traditional films. As a director, I was able to create this environment that allowed me to live in-character and to strip everything away so it was about me always being there and present. And as a filmmaker, I had to make sure that the story points were right, creating the stakes and the tension for the scene, so that what we would do between me and my son would be just right. We shot a lot of stuff. The conversation at the end about life and death was done in one take with two cameras and it was not something that I was going to repeat because it would be weird. As a father explaining how things live and die - when this was just starting to come into his consciousness - wasn't something that I wanted to repeat. We've got only one time to do this. And how this translates on-screen is awesome because it's real. HDD: The Isaac stuff is all real, but how about the other fictional stuff with your character? It's said that you write what you know – where did you get the rest from? Mark Webber: You know, basically this movie is just about relationships and human interactions and the vulnerability between the two. The interaction between the other woman in the film is sort of drawn up by past experiences. Using my other friends to play versions of themselves made it a fascinating process. HDD: Are you a single parent? Mark Webber: Yeah. Frankie, the mom, is in the film. She's in the very short flashback sequences. HDD: So those are real home videos shown in the beginning? Mark Webber: Yeah. That Bright Eyes song that was playing in the beginning, "The First Days of My Life," that was playing in the room. That's not something that I added in. Then I had to go and get the rights from Bright Eyes. "Listen, this was playing in the room when my son was just a year old. Do you know how much this means to me?" The mixture of that with the other cinematic elements and blurring it, for me, was just so rewarding as an artist. HDD: One thing that I really enjoyed was how the other actors play themselves – or better put, characters of themselves - Mark Webber: Just so you know, Michael Cera is not like that at all. His place that he lives in so much more humble. (laughs) He does not live in a glass mansion. HDD: Does he carry a gun around? Mark Webber: (laughs) No. He does not carry a gun around. He's not like a dick like that. We wanted to have fun with that, to poke fun at the version of what a young Hollywood star would be and how they're perceived. HDD: I'll tell you, being a 'Scott Pilgrim' fan, it was a whole lot of fun to see a big part of the cast of reunited. Mark Webber: (laughs) I know, right?! HDD: I was watching it, constantly pointing at the screen saying "Look! There's – oh, and she's here too! They're all here! Mark Webber: (laughs) That was cool, right? HDD: What's really funny is that while I was watching all of you in the Q&A after the premiere, a buddy was riding a bus on Main Street with Mary Elizabeth Winstead. He text me saying, "I'm here with Ramona while you're there with the rest of them." Mark Webber: Yes! That's so cool! HDD: If you'll let me geek out for a second, one of my favorite lines from 'Scott Pilgrim' is when Crash and the Boys are playing and you've got subtitles on the screen - Mark Webber: (laughs) Oh yeah! HDD: - while saying, "Dammit, Scott! You're freaking me out!" Mark Webber: (laughs) I know. I know. That movie was so cool. HDD: Back to the topic – what's next for you? Mark Webber: What's next is I'm doing a film called 'Panarea' that friend of mine Adam Mansbach wrote. He's a New York Times best-selling author. And my other friend Adam Lough is directing and we've worked together two other times on 'Bomb the System' and 'Weapons.' Jim Jarmusch is producing and I'm starring with Chloë Sevigny. HDD: Nice! Will we see you here with it next year? Mark Webber: Hopefully! That'll be the plan. HDD: Have you filmed anything that's yet to come out? Mark Webber: I actually have two other films here: 'Save the Date' is in competition - HDD: I'm actually supposed to interview you again in two days about 'Save the Date' - Mark Webber: Cool! HDD: - so don't say too much about it now. Mark Webber: (laughs) Awesome! There's that and 'For A Good Time, Call …' - another film in the premiere's category. HDD: I'll be seeing that during the Press & Industry screening on Wednesday. What can we expect from 'For a Good Time, Call …?' Mark Webber: I actually haven't even seen it yet. I just know that Lauren Miller and Ari Graynor are incredible. Ari is amazing, so expect a really funny movie. HDD:Awesome. Thanks again and I'll see you on Tuesday. Mark Webber: You bet! Unfortunately, Mark had to bail on the 'Save the Date' press day so that he could further promote his own film, 'The End of Love.'Posted Thu Feb 2, 2012 at 12:00 PM PST by: -
Sony Google TV Update Brings Faster Browsing and 3D Blu-rays[teaser]A Google TV update is on the way for Sony products and its especially cool for the Blu-ray player. [/teaser] Google TV is a platform that’s constantly evolving. Each new update brings added functionality – some of which is dearly needed. The latest brings a minor improvement to the company’s Internet TV and a big one to the Google TV powered Blu-ray player. The less exciting of the two updates is that of faster internet browsing. Chrome will move faster and that’s a nice benefit. Things get more exciting with the second. If you own Sony’s Blu-ray player with Google TV embedded, you’ll now be able to watch your 3D Blu-rays. Sony has added this kind of functionality in the past with the PlayStation 3 so it’s not a huge surprise to see them update another player. Source: EngadgetPosted Thu Feb 2, 2012 at 11:00 AM PST by: -
Sundance 2012 Interviews: 'Save the Date' Director Michael Mohanby Luke Hickman Each year there seems to be a reoccurring theme that pops up in films at the Sundance Film Festival. 2011 was all about fanatics and 2012 seems to have been heavily influenced by 'Bridesmaids.' 'Save the Date' is one of the many great R-rated female-centric comedic dramas at Sundance this year. Lizzy Caplan stars as an aspiring artist who has to take life in small steps. As if moving in with her boyfriend wasn't traumatic enough, when he proposes to her in front of a large crowd she freaks out and ends the relationship right there. Alison Brie plays her sister, the encouraging and supporting figure in her life. [teaser]Halfway through the festival, director Michael Mohan sat down with me to talk about the film, it's evolution, and film in general.[/teaser] HDD – Luke Hickman: Congrats on the movie! It's awesome. Michael Mohan: Thank you! HDD: For what it's worth, the response from the Press & Industry screening I attended yesterday was great. How's your Sundance experience been so far? Michael Mohan: Really good. We had our premiere two days ago and the second screening is later today. The Q&A was great and the reaction was great. I don't think we could have asked for a better response. HDD: Do you usually watch your movies with the general audiences? Michael Mohan: I did this time. You can't not watch it when it's at the Eccles (the largest theater at the festival with 1,270 seats). I'll be there. HDD: Did the audience respond the way you expected them, laughing in the right spots, etc.? Michael Mohan: Yeah. I honestly can't think of it going any better. And I give credit to [the cast]. HDD: I really enjoyed the Martin Starr character because I felt like he represented the audience – he's outside the conflict looking in and, aside from one part at the end of the movie, he's keeps out of it. It's really easy to connect with him. Michael Mohan: Thank you! HDD: I hope that's what you were going for! Michael Mohan: Absolutely! HDD: Your film is based around two female leads. Being a guy, was it hard writing them? Michael Mohan: You know what's funny? People have been asking me that, but it wasn't like we made a decision, "I'm a man and I'm going to write a movie about girls." The script was originally written by graphic novelist Jeffrey Brown and a playwright Egan Reich and I originally came on-board years after and sort of re-wrote the script with them. The characters already existed and I remember when I read the script for the first time, even though the characters were girls, I totally related to what they were going through. It's funny because that's a hot-button issue now – movies at Sundance with leading female characters. It's almost turning into a political sort of thing, like "Why are female character so en vogue right now?" - but that's how it should be! I think it's awesome. I'm excited for the next year because there are so many strong films here. If I can't see them here, I know they're going to come out and I can see them. A lot of us filmmakers here are friends too – like James Ponsoldt, the director of 'Smashed,' we've worked together. It's a good community. Even though we're in competition, I don't feel like we're going head to head. HDD: How much does being in competition play into the experience? Is that in the back of your head the whole time? Michael Mohan: For me, I'm just excited that the film is getting such great exposure. I was here a couple years ago. My film was in the Next category. It was great, nice to have this little baby step. Last year I was here with a short, so this year is my chance to be in competition. It feels like the natural step. In terms of the actual awards, being here is remarkable and I'm glad that the film gets to be seen. HDD: So the question is – what are you bringing next year? Lizzy Caplan told me how recently you shot 'Save the Date,' so you can crank out another feature by next year, right? Michael Mohan: Our producers have actually been working on 'Save the Date' for six years. I came on-board two years ago when I was here with my first film and [producer Jordan Horowitz] was here with his film. So I worked on the script for a year and we shot during the second year. As for next year, I've wanted to write some stuff, but I haven't had too much time. HDD: Instead of going the route of serious drama or tradition comedy, your film blends the two. There's a sense of realism at the core of 'Save the Date.' Michael Mohan: Absolutely. I think that was the goal. On-set, that's all we worked on. That was the thing – challenging the script to be as truthful as possible, even if that meant changing lines around or changing scenes around. [We did] exactly what the characters would do in that moment. It's a process. You write the script and try to make it as truthful as possible, but then while shooting it you have to adjust it to make it even more so. HDD: Can you talk at all about the budget you were working with? Michael Mohan: Our official statement is, "More than a little and less than a lot." (laughs) We got what we needed. To be specific, we shot over 21 days and it never felt like we had to compromise. We worked long hours, but not crazy long. And we shot the film specifically - like a lot of one-take scenes.Posted Thu Feb 2, 2012 at 10:00 AM PST by: -
Sony’s 3D Channel Brings in 10 Million Views[teaser]More than a few people are interested in 3D, as it turns out. [/teaser] 3D TV sales may not be at their best here in the US, but people that picked up 3D sets from Sony sure seem to be interested in getting content for them. To date, Sony’s 3D Experience content channel has earned 10 million views. The channel, which is available only on Sony TVs and Blu-ray players, is now live in over 60 countries around the world, enabling access from virtually anywhere Sony TVs are sold. Source: Home Media MagazinePosted Thu Feb 2, 2012 at 09:00 AM PST by: -
'Girls Just Want to Have Fun' on Blu-ray[teaser]The outrageous '80s comedy will party on Blu-ray this April. [/teaser] In an early announcement to retailers, Image Entertainment is preparing 'Girls Just Want to Have Fun' for Blu-ray on April 3. Janey (Sarah Jessica Parker, 'Sex and the City,' “Sex and the City” TV series) is a shy good girl. Lynne (Helen Hunt, Oscar® winner – 'As Good As It Gets') is a cool rock chick. But when the two friends scheme to get Janey on television's biggest after-school dance show, they find themselves on a wild adventure filled with cute boys, hot dancing, great music, prudish nuns, mean rich kids, parents that just don't understand, and girls doing what they know best...having FUN! Co-starring Shannen Doherty (“Beverly Hills 90210”, 'Burning Palms'), Jonathan Silverman (“White Collar”), and Lee Montgomery (“Highway to Heaven”) 'Girls Just Want To Have Fun' is an exuberant comedy that's totally packed with awesome fashions, music, dance moves, and more! The Blu-ray will feature 1080p video, a Dolby Digital Mono soundtrack, and there doesn't appear to be any supplements. Suggested list price for the Blu-ray is $17.97. You can find the latest specs for 'Girls Just Want to Have Fun' linked from our Blu-ray Release Schedule, where it's indexed under April 3.Posted Thu Feb 2, 2012 at 08:00 AM PST by: -
Redbox Ignores Warner Demands – Will Rent Movies Day and Date[teaser]Warner attempted to push Redbox's rental delay to eight weeks, but Redbox says no. [/teaser] Warner Home Entertainment isn’t cool with Redbox and Netflix renting movies as early as they do. Initially, the company offered these renters a nice discount for pushing their rental window to 28 days. This means that Redbox and Netflix were unable to rent movies to customers until four weeks after they were released on DVD and Blu-ray. Redbox went along with the demand, albeit not happily. Warner’s new request pushed the window even further, to 56 days. Redbox says that this won’t stand, and will be going back to its old practice of buying movies at retail and renting them to customers on the day that they’re released. The fallout from this should be interesting to see. Warner certainly won’t be pleased with the way Redbox is doing things, but there’s no telling what the fallout will be. Source: EngadgetPosted Thu Feb 2, 2012 at 07:00 AM PST by: -
'Nazis at the Center of the Earth' Dated for Blu-ray[teaser] More zombie Nazis will invade Blu-ray this April! [/teaser] In an early announcement to retailers, the Asylum will be releasing 'Nazis at the Center of the Earth' to high-definition on April 24. Researchers in Antarctica are abducted by a team of masked storm troopers. They are dragged deep underground to a hidden continent in the center of the earth. Here Nazi survivors, their bodies a horrifying patchwork of decaying and regenerated flesh, are planning for the revival of the Third Reich. The film stars Dominique Swain, Josh Allen, Christopher Karl Johnson, and Jake Busey. Specs and supplements have yet to be revealed, but suggested list price for the Blu-ray is only $24.95. You can find the latest specs for 'Nazis at the Center of the Earth' linked from our Blu-ray Release Schedule, where it's indexed under April 24.Posted Thu Feb 2, 2012 at 06:00 AM PST by:
