It’s been so long since the last episode of ‘Gotham’ (early December) that the new winter premiere feels like the start of a whole new season. Most of the big storylines from the first half of Season 2 have alrea...
This week’s episode of ‘Supergirl’ is all about relationships – relationships ending, relationships beginning, and relationships mending. Sadly, the silly Villain of the Week part of this entry doesn’t allo...
I’m a big fan of episodes of ‘The Walking Dead’ that expand the show’s universe as we know it. We all remember how things got much more interesting when the Governor and his people first came into the pictu...
The Oscars may not have given out any awards to black people this weekend, but at least the Spirit Awards weren’t afraid to. In other news, the Razzies continue to be a pointless waste of time.
Of all the old TV shows that might get the “dark and gritty” reboot treatment, I have to say that I’m very surprised by what Netflix has done to ‘Full House’, that defining example of shitty 1990s fam...
Marvel’s smartass superhero reigned supreme at the box office for the third consecutive week. Meanwhile, that movie’s new competition floundered.
The Ks are here! The Ks are here! The 4k Ultra HD Blu-ray format officially launches this week. If that doesn’t interest you, don’t worry. Regular Blu-ray gets some noteworthy releases too.
Over the course of what I swear felt like 12 grueling hours, this year’s relentlessly dull Academy Awards ceremony stirred to life only briefly with shocking upset victories in two categories, including the big prize of the ...
The Oscars are this weekend. Whoop-de-doo, right? In counterpoint to that (alleged) celebration of the best in film, let’s remind ourselves just how bad last year really was with a look back at the worst movies of 2015.
Three new wide release movies break out of the gate this weekend. Will one stand out above the others, or will ‘Deadpool’ decapitate the competition yet again?
Fernando León de Aranoa’s latest feature chronicles the odd and frequently unexplored lives of foreign aid workers. It’s a messy and tonally inconsistent little flick. However, in this particular case that’s not ...
The title of Michael Moore’s latest documentary is deliberately and misleadingly provocative. At a quick glance, it’s easy to assume that this will be Moore’s all-out assault on American imperialism, calling out ...
