Posted Thu Jan 18, 2018 at 03:12 PM PST by Steven Cohen
The distributor has revealed its upcoming slate of April releases, including Sofia Coppola's The Virgin Suicides and Jim Jarmusch's Dead Man.
The Color of Pomegranates (April 17) - A breathtaking fusion of poetry, ethnography, and cinema, Sergei Parajanov’s masterwork overflows with images and sounds that burn into the memory. In a series of tableaux that blend the tactile with the abstract, The Color of Pomegranates revives the splendors of Armenian culture through the story of the eighteenth-century troubadour Sayat-Nova, charting his intellectual, artistic, and spiritual growth through iconographic compositions rather than traditional narrative. The film’s tapestry of folklore and metaphor departed from the realism that dominated the Soviet cinema of its era, leading authorities to block its distribution, with rare underground screenings presenting it in a restructured form. This edition features the cut closest to Parajanov’s original vision, in a restoration that brings new life to one of cinema’s most enigmatic meditations on art and beauty.
- New 4K digital restoration, undertaken by The Film Foundation's World Cinema Project in collaboration with the Cineteca di Bologna, with uncompressed monaural soundtrack
- New audio commentary featuring critic Tony Rayns
- New video essay on the film's symbols and references, featuring scholar James Steffen
- New interview with Steffen detailing the production of the film
- SERGEI PARAJANOV: THE REBEL, a 2003 documentary about the filmmaker, featuring him and actor Sofiko Chiaureli
- THE LIFE OF SAYAT-NOVA, a 1977 documentary about the Armenian poet who inspired THE COLOR OF POMEGRANATES
- New English subtitle translation
- PLUS: An essay by film scholar Ian Christie
The Awful Truth (April 17) - In this Oscar-winning farce, Cary Grant (in the role that first defined the Cary Grant persona) and Irene Dunne exude charm, cunning, and artless affection as an urbane couple who, fed up with each other’s infidelities, resolve to file for divorce. Try as they each might to move on, the mischievous Jerry can’t help but meddle in Lucy’s ill-matched engagement to a corn-fed Oklahoma businessman (Ralph Bellamy), and a mortified Lucy begins to realize that she may be saying goodbye to the only dance partner capable of following her lead. Directed by the versatile Leo McCarey, a master of improvisation and slapstick as well as a keen and sympathetic observer of human folly, The Awful Truth is a warm but unsparing comedy about two people whose flaws only make them more irresistible.
- New 4K digital restoration, with uncompressed monaural soundtrack
- New interview with critic Gary Giddins about director Leo McCarey
- New video essay by film critic David Cairns on actor Cary Grant's performance
- Illustrated 1978 audio interview with actor Irene Dunne
- LUX RADIO THEATRE adaptation of the film from 1939, starring actor Claudette Colbert and Grant
- PLUS: An essay by film critic Molly Haskell
Dead Man (April 24) - With Dead Man, his first period piece, Jim Jarmusch imagined the nineteenth-century American West as an existential wasteland, delivering a surreal reckoning with the ravages of industrialization, the country’s legacy of violence and prejudice, and the natural cycle of life and death. Accountant William Blake (Johnny Depp) has hardly arrived in the godforsaken outpost of Machine before he’s caught in the middle of a fatal lovers’ quarrel. Wounded and on the lam, Blake falls under the watch of the outcast Nobody (Gary Farmer), who guides his companion on a spiritual journey, teaching him to dispense poetic justice along the way. Featuring austerely beautiful black-and-white photography by Robby Müller and a live-wire score by Neil Young, Dead Man is a profound and unique revision of the western genre.
- New 4K digital restoration, supervised and approved by director Jim Jarmusch, with 2.0 surround DTS-HD Master Audio soundtrack
- New Q&A in which Jarmusch responds to questions sent in by fans
- New readings of William Blake poems by members of the cast, including Mili Avital, Alfred Molina, and Iggy Pop
- New selected-scene audio commentary by production designer Robert Ziembicki and sound mixer Drew Kunin
- New interview with actor Gary Farmer
- Deleted scenes
- Jarmusch's location scouting photos
- PLUS: Essays by critic Amy Taubin and music journalist Ben Ratliff
The Virgin Suicides (April 24) - With this debut feature, Sofia Coppola announced her singular vision, which explores the aesthetics of femininity while illuminating the interior lives of young women. A faithful adaptation of Jeffrey Eugenides’s popular first novel, The Virgin Suicides conjures the ineffable melancholy of teenage longing and ennui in its story of the suicides of the five Lisbon sisters, stifled by the rules of their overprotective religious parents—as told through the collective memory of a group of boys who yearn to understand what happened. Evoking its 1970s suburban setting through ethereal cinematography by Ed Lachman and an atmospheric score by Air, the film secured a place for its director in the landscape of American independent cinema and has become a coming-of-age touchstone.
- New, restored 4K digital transfer, supervised by cinematographer Ed Lachman and approved by director Sofia Coppola, with 5.1 surround DTS-HD Master Audio soundtrack
- New interviews with Coppola, Lachman, actors Kirsten Dunst and Josh Hartnett, author Jeffrey Eugenides, and writer Tavi Gevinson
- MAKING OF 'THE VIRGIN SUICIDES' a 1998 documentary directed by Eleanor Coppola and featuring Sofia Coppola; Eleanor and Francis Ford Coppola; actors Dunst, Hartnett, Scott Glenn, Kathleen Turner, and James Woods; Eugenides; and more
- LICK THE STAR, a 1998 short film by Coppola
- Official music video for Air's soundtrack song 'Playground Love,' directed and shot by Coppola and her brother Roman Coppola
- PLUS: An essay by novelist Megan Abbott
You can find the latest specs for all of the titles listed above linked from our Blu-ray Release Schedule, where they're indexed throughout April.
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