{"id":89329,"date":"2018-01-16T09:00:02","date_gmt":"2018-01-16T17:00:02","guid":{"rendered":"https:\/\/www.highdefdigest.com\/blog\/?p=89329"},"modified":"2018-01-15T10:27:38","modified_gmt":"2018-01-15T18:27:38","slug":"box-office-jan-15-2018","status":"publish","type":"post","link":"https:\/\/www.highdefdigest.com\/blog\/box-office-jan-15-2018\/","title":{"rendered":"Weekend Box Office: Gaming the System"},"content":{"rendered":"<p>Even with three new wide releases and one major expansion stealing away audiences, the &#8216;Jumanji&#8217; sequel was able to retain the top spot at the box office for the second consecutive week. The nearest competition was $9 million behind it, so &#8216;Jumanji&#8217; didn&#8217;t even have anything snapping at it heels.<br \/>\n<!--more--><\/p>\n<p>The weekend was a bit of a bust for each of the big new releases, but the awards contender made out all right.<\/p>\n<p>Sony is certainly cleaning up with &#8216;<strong>Jumanji: Welcome to the Jungle<\/strong>&#8216;, the unexpected sequel that survived a post-&#8216;Star Wars&#8217; debut and managed to climb to the top of the charts in its third week. The crowd-pleasing action comedy drew another $27 million this weekend, bringing it domestic total up to $283.1 million. Foreign moviegoers appear to love the blockbuster just as much. Its international box office is at $383 million, placing the $90 million picture&#8217;s worldwide total at $666.1 million. I&#8217;m pretty sure I smell The Rock cooking up a sequel.<\/p>\n<p>After three weeks on a very limited number of screens, Steven Spielberg&#8217;s &#8216;<strong>The Post<\/strong>&#8216; finally expanded wide, resulting in a second place nationwide debut with $18.6 million. The $50 million historical drama has made $23 million to date and has yet to open overseas. Despite being nominated for six Golden Globes, it didn&#8217;t win a single one (not that the Globes really signify anything special). When Oscar nominations are announced soon, assuming that &#8216;The Post&#8217; is up for at least six more awards, expect to see its box office get another boost.<\/p>\n<p>The best that any of the newcomers could do was third place. Liam Neeson&#8217;s latest suspense thriller &#8216;<strong>The Commuter<\/strong>&#8216; grossed $13.4 million. Budgeted at $30 million, that&#8217;s a decent opening for the bland movie. The action flick has yet to open overseas.<\/p>\n<p>Last week&#8217;s &#8216;<strong>Insidious: The Last Key<\/strong>&#8216; suffered an expected 59% drop in attendance, similar to what most horror movies experience. Falling from #2 to #4, the fourth &#8216;Insidious&#8217; movie scared up another $12.1 million. After ten days, the PG-13 freaky flick has $48.3 million in the domestic bank and $44.2 million overseas. With a $92.5 million worldwide total, the Blumhouse franchise continues strong.<\/p>\n<p>&#8216;<strong>The Greatest Showman<\/strong>&#8216; has the best staying power of any movie in recent history. Holding true with past weeks, its fourth weekend drop was a mere 14%. Earning $11.8 million, its domestic run is up to $94.5 million. International moviegoers have contributed $100.1 million to the cause, giving the $84 million musical a worldwide total of $194.6 million. When &#8216;The Greatest Showman&#8217; took stage, it looked like it wouldn&#8217;t be capable of becoming a financial success, but word-of-mouth and a hot-selling soundtrack have shown otherwise.<\/p>\n<p>The other two wide releases finished outside the Top 10. Despite glowing reviews, &#8216;<strong>Paddington 2<\/strong>&#8216; could only muster a #7 debut. The $10.6 million opening is $8 million behind the first &#8216;Paddington&#8217;. While North American audiences may not be taking to the lovable bear, he&#8217;s still beloved overseas. The sequel has made $125 million internationally, almost enough to bring the $50 million family film into profitability without taking into account the North American returns.<\/p>\n<p>The hitwoman action movie &#8216;<strong>Proud Mary<\/strong>&#8216; came in just behind &#8216;Paddington 2&#8217; in eighth place with $10 million. Fortunately, Sony produced the picture on a modest $14 million budget. By the time it opens internationally, it shouldn&#8217;t take too long to turn a profit.<\/p>\n<h2>Top 10:<\/h2>\n<p>1. &#8216;Jumanji: Welcome to the Jungle&#8217; (Sony) &#8211; $27,035,000<\/p>\n<p>2. &#8216;The Post&#8217; (Fox) &#8211; $18,600,000<\/p>\n<p>3. &#8216;The Commuter&#8217; (Lionsgate) &#8211; $13,450,000<\/p>\n<p>4. &#8216;Insidious: The Last Key&#8217; (Universal) &#8211; $12,135,000<\/p>\n<p>5. &#8216;The Greatest Showman&#8217; (Fox) &#8211; $11,800,000<\/p>\n<p>6. &#8216;Star Wars: The Last Jedi&#8217; (Buena Vista) &#8211; $11,275,000<\/p>\n<p>7. &#8216;Paddington 2&#8217; (Warner Bros.) &#8211; $10,620,000<\/p>\n<p>8. &#8216;Proud Mary&#8217; (Sony) &#8211; $10,000,000<\/p>\n<p>9. &#8216;Pitch Perfect 3&#8217; (Universal) &#8211; $5,655,000<\/p>\n<p>10. &#8216;Darkest Hour&#8217; (Focus) &#8211; $4,525,000<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>Even with three new wide releases and one major expansion stealing away audiences, the &#8216;Jumanji&#8217; sequel was able to retain the top spot at the box office for the second consecutive week. The nearest competition was $9 million behind it, so &#8216;Jumanji&#8217; didn&#8217;t even have anything snapping at it heels.<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_excerpt --><!-- AddThis Share Buttons generic via filter on the_excerpt -->","protected":false},"author":13,"featured_media":89424,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[743],"tags":[178,9665,2516,1683,7274,9977,264,9976,9955],"_links":{"self":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/89329"}],"collection":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/comments?post=89329"}],"version-history":[{"count":5,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/89329\/revisions"}],"predecessor-version":[{"id":89423,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/89329\/revisions\/89423"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media\/89424"}],"wp:attachment":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media?parent=89329"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/categories?post=89329"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/tags?post=89329"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}