{"id":88888,"date":"2017-12-18T09:00:33","date_gmt":"2017-12-18T17:00:33","guid":{"rendered":"https:\/\/www.highdefdigest.com\/blog\/?p=88888"},"modified":"2017-12-17T18:12:54","modified_gmt":"2017-12-18T02:12:54","slug":"box-office-dec-18-2017","status":"publish","type":"post","link":"https:\/\/www.highdefdigest.com\/blog\/box-office-dec-18-2017\/","title":{"rendered":"Weekend Box Office: The Biggest for Last"},"content":{"rendered":"<p>The 2017 box office may still be lower than 2016 overall, but December is up 30% from last year \u2013 and there are still two weekends to go! Of course, &#8216;Star Wars&#8217; is to thank for this uptick. As expected, Blue Sky&#8217;s bull movie had its horns clipped and barely contributed to this massive weekend.<br \/>\n<!--more--><\/p>\n<p>Leading into the weekend, Disney&#8217;s expectations pointed to a $200 million debut for &#8216;<strong>Star Wars: The Last Jedi<\/strong>&#8216;, but when the Thursday night previews resulted in $45 million and Friday topped $100 million, the studio knew it would be even bigger than that. Estimates place the actual debut at a whopping $220 million. $24.6 million came from IMAX locations, making it the large format&#8217;s biggest opening ever.<\/p>\n<p>Standard sequel fatigue has been credited for the film&#8217;s domestic opening being down $28 million from &#8216;The Force Awakens&#8217;. While that may be the case, you can&#8217;t help but notice the polarizing love-it-or-hate-it response the movie has generated. Currently it has a <a href=\"https:\/\/www.rottentomatoes.com\/m\/star_wars_the_last_jedi\" rel=\"nofollow\">93% critical score on Rotten Tomatoes<\/a> but an audience score of only 56%. In comparison, &#8216;The Force Awakens&#8217; had the same 93% from critics but a much higher 88% from audiences. If word of mouth remains this low, &#8216;The Last Jedi&#8217; may not have the staying power that &#8216;The Force Awakens&#8217; had \u2013 no matter what <a href=\"http:\/\/deadline.com\/2017\/11\/the-last-jedi-disney-theater-chain-terms-popcorn-concession-sales-1202199763\/\">Disney&#8217;s mandatory exhibition clause<\/a> requires theater owners to do.<\/p>\n<p>&#8216;The Last Jedi&#8217; is also raking in the dough internationally. Playing in most markets, the movie grossed $230 million, for a worldwide debut of $450 million. It&#8217;s not breaking records in individual markets, but it&#8217;s definitely performing well. The film&#8217;s budget has not been announced, but it certainly cost a pretty penny. Nonetheless, it will undoubtedly become a financial success during its theatrical run.<\/p>\n<p>Between the &#8216;Ice Age&#8217; franchise, the &#8216;Rio&#8217; movies and several one-offs, Blue Sky&#8217;s animated family flicks have been quite successful\u2026 until now. Out of the studio&#8217;s 12 theatrical releases, &#8216;<strong>Ferdinand<\/strong>&#8216; scored its worst-ever opening. From 3,621 screens, it was crushed beneath the force of &#8216;The Last Jedi&#8217;, pulling a weak $13.3 million. It made another $6.1 million from 18 international markets, but with a budget of $111 million, the movie needed a lot more than a $19.5 million worldwide debut.<\/p>\n<p>Aside from &#8216;The Last Jedi&#8217;, the second reason &#8216;Ferdinand&#8217; flopped was competition from Disney&#8217;s other fall hit, &#8216;<strong>Coco<\/strong>&#8216;. Pixar&#8217;s latest finished its fourth week in third place with $10 million. The film&#8217;s domestic box office is up to $150.8 million. Of Pixar&#8217;s 18 releases, &#8216;Coco&#8217; currently has the 17th highest domestic total, but will soon pass &#8216;Cars 3&#8217; and &#8216;A Bug&#8217;s Life&#8217;. Its international income is up to $297.4 million. With a worldwide gross of $448.2 million, that places it in the #15 rank for Pixar&#8217;s global totals.<\/p>\n<p>Five-week-old &#8216;<strong>Wonder<\/strong>&#8216; finished at #4 with another $5.4 million. The tiny film has now earned $109.2 million domestically, $44.4 million internationally, and $153.6 million worldwide, giving me hope that there&#8217;s still a beating heart buried somewhere deep within this upside-down world.<\/p>\n<p>&#8216;<strong>Justice League<\/strong>&#8216; rounded out the Top 5 with $4.1 million. Clinging on longer than anyone expected, the DC movie&#8217;s domestic total is now at $219.4 million, but its international numbers have quickly slowed down. To date, it has made $414.5 million internationally, placing its worldwide total at $633.9 million. At this point in its run, &#8216;Batman v. Superman&#8217; had $850 million. That $217 million difference is brutal.<\/p>\n<p>The weekend numbers for &#8216;Beyond Skyline&#8217; have yet to be announced.<\/p>\n<h2>Top 10:<\/h2>\n<p>1. &#8216;Star Wars: The Last Jedi&#8217; (Buena Vista) &#8211; $220,047,000<\/p>\n<p>2. &#8216;Ferdinand&#8217; (Fox) &#8211; $13,325,000<\/p>\n<p>3. &#8216;Coco&#8217; (Buena Vista) &#8211; $10,025,000<\/p>\n<p>4. &#8216;Wonder&#8217; (Lionsgate) &#8211; $5,400,000<\/p>\n<p>5. &#8216;Justice League&#8217; (Warner Bros.) &#8211; $4,170,000<\/p>\n<p>6. &#8216;Daddy&#8217;s Home 2&#8217; (Paramount) &#8211; $3,800,000<\/p>\n<p>7. &#8216;Thor: Ragnarok&#8217; (Buena Vista) &#8211; $2,981,000<\/p>\n<p>8. &#8216;The Disaster Artist&#8217; (A24) &#8211; $2,636,908<\/p>\n<p>9. &#8216;Murder on the Orient Express&#8217; (Fox) &#8211; $2,470,000<\/p>\n<p>10. &#8216;Lady Bird&#8217; (A24) &#8211; $2,108,117<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>The 2017 box office may still be lower than 2016 overall, but December is up 30% from last year \u2013 and there are still two weekends to go! Of course, &#8216;Star Wars&#8217; is to thank for this uptick. As expected, Blue Sky&#8217;s bull movie had its horns clipped and barely contributed to this massive weekend.<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_excerpt --><!-- AddThis Share Buttons generic via filter on the_excerpt -->","protected":false},"author":13,"featured_media":88889,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[743],"tags":[178,9935,9956,5585,264,9927],"_links":{"self":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/88888"}],"collection":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/comments?post=88888"}],"version-history":[{"count":5,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/88888\/revisions"}],"predecessor-version":[{"id":88943,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/88888\/revisions\/88943"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media\/88889"}],"wp:attachment":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media?parent=88888"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/categories?post=88888"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/tags?post=88888"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}