{"id":87986,"date":"2017-10-30T08:00:49","date_gmt":"2017-10-30T15:00:49","guid":{"rendered":"http:\/\/www.highdefdigest.com\/blog\/?p=87986"},"modified":"2017-10-30T05:30:14","modified_gmt":"2017-10-30T12:30:14","slug":"box-office-oct-30-2017","status":"publish","type":"post","link":"https:\/\/www.highdefdigest.com\/blog\/box-office-oct-30-2017\/","title":{"rendered":"Weekend Box Office: I Saw What You Did There"},"content":{"rendered":"<p>Box office returns have been absolutely wretched since the release of &#8216;It&#8217; in early September. A mix of lazy movies and competition from streaming original content (like the new season of &#8216;Stranger Things&#8217;) are probably to blame. This weekend was no exception.<br \/>\n<!--more--><\/p>\n<p>It&#8217;s been seven years since the &#8216;Saw&#8217; franchise was last on the big screen. The opening of the new sequel &#8216;<strong>Jigsaw<\/strong>&#8216; shows that no one really missed it. The $10 million horror movie&#8217;s $16.2 million debut may seem good enough, but when compared to the other entries in this franchise, it&#8217;s nothing impressive. The opening of &#8216;Jigsaw&#8217; ranks as #7 of the eight &#8216;Saw&#8217; pictures, suggesting that there wasn&#8217;t much of an appetite for a revival. International moviegoers gave it more of a chance. From 46 markets, only three of which were large, it made $9.5 million, for a $25.7 million worldwide start.<\/p>\n<p>Last weekend, &#8216;<strong>Tyler Perry&#8217;s Boo 2! A Madea Halloween<\/strong>&#8216; debuted $5 million below the original. This weekend, the sequel dropped 53%. Finishing in second place, it added $10 million to its domestic run, which now sits at $35.5 million. Compared to the ten-day total of the first, &#8216;Boo 2!&#8217; is already $17 million behind. With a $25 million budget and few people likely to see it after Halloween on Tuesday, this is not the sequel that Tyler Perry was hoping it would be.<\/p>\n<p>&#8216;<strong>Geostorm<\/strong>&#8216; took an even harder hit in its second week. Falling 58%, it finished in third place with $5.6 million. With a $120 million production budget, the CG-heavy picture has a domestic ten-day total of just $23.5 million. International moviegoers, however, are getting sucked into the vortex. The foreign box office is currently up to $113.4 million, bringing its global total to $136.9 million.<\/p>\n<p>Last weekend, horror fatigue appeared to kick in with the second-week performance of &#8216;<strong>Happy Death Day<\/strong>&#8216;. However, competition from &#8216;Jigsaw&#8217; didn&#8217;t make much of a dent in its third week performance. The $4.8 million scary movie finished at #4 with $5 million. Now at $20.2 million in international ticket sales and $48.3 million in domestic returns, the film has grossed an impressive $68.5 million worldwide.<\/p>\n<p>Thanks to low turnout for all movies, &#8216;<strong>Blade Runner 2049<\/strong>&#8216; managed to stay in the Top 5, even if just rounding it out. A 46% drop in attendance yielded $3.9 million, bringing its domestic total to $81.3 million. If any international market was going to boost the box office, it might have been China. Unfortunately, this weekend&#8217;s China opening only brought in $7.6 million. The foreign box office is at $142 million, giving &#8216;2049&#8217; a $223.3 million worldwide total.<\/p>\n<p>The new PTSD war drama &#8216;<strong>Thank You for Your Service<\/strong>&#8216; opened outside the Top 5. From 2,054 screens, it made a low $3.7 million ($1,802 per screen) and finished at #6. The $20 million picture has yet to open overseas.<\/p>\n<p>Debuting even worse was the George Clooney-directed &#8216;<strong>Suburbicon<\/strong>&#8216;. Despite its great credentials (including Matt Damon in the lead role), the film opened at #9. Playing on 2,046 screens and budgeted at $25 million, the crime comedy only took $2.8 million ($1,369 per screen).<\/p>\n<p>But the worst-performing of the weekend&#8217;s notable new releases was Marc Forster&#8217;s drama &#8216;<strong>All I See Is You<\/strong>&#8216;, starring Blake Lively. From 283 screens, it did just $135,504 and a per-screen average of $479. Budget at $30 million, Open Road is likely to take a massive hit from this one.<\/p>\n<h2>Top 10:<\/h2>\n<p>1. &#8216;Jigsaw&#8217; (Lionsgate) &#8211; $16,250,000<\/p>\n<p>2. &#8216;Tyler Perry&#8217;s Boo 2! A Madea Halloween&#8217; (Lionsgate) &#8211; $10,000,000<\/p>\n<p>3. &#8216;Georstorm&#8217; (Warner Bros.) &#8211; $5,675,000<\/p>\n<p>4. &#8216;Happy Death Day&#8217; (Universal) &#8211; $5,099,000<\/p>\n<p>5. &#8216;Blade Runner 2049&#8217; (Warner Bros.) &#8211; $3,965,000<\/p>\n<p>6. &#8216;Thank You for Your Service&#8217; (Universal) &#8211; $3,702,000<\/p>\n<p>7. &#8216;Only the Brave&#8217; (Sony) &#8211; $3,450,000<\/p>\n<p>8. &#8216;The Foreigner&#8217; (STX) &#8211; $3,210,000<\/p>\n<p>9. &#8216;Suburbicon&#8217; (Paramount) &#8211; $2,800,000<\/p>\n<p>10. &#8216;It&#8217; (Warner Bros.) &#8211; $2,465,000<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>Box office returns have been absolutely wretched since the release of &#8216;It&#8217; in early September. A mix of lazy movies and competition from streaming original content (like the new season of &#8216;Stranger Things&#8217;) are probably to blame. This weekend was no exception.<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_excerpt --><!-- AddThis Share Buttons generic via filter on the_excerpt -->","protected":false},"author":13,"featured_media":87988,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[743],"tags":[9906,1441,178,9889,9877,2803,1132,9810,9902,1174],"_links":{"self":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/87986"}],"collection":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/comments?post=87986"}],"version-history":[{"count":6,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/87986\/revisions"}],"predecessor-version":[{"id":88113,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/87986\/revisions\/88113"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media\/87988"}],"wp:attachment":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media?parent=87986"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/categories?post=87986"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/tags?post=87986"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}