{"id":87982,"date":"2017-10-27T09:00:03","date_gmt":"2017-10-27T16:00:03","guid":{"rendered":"http:\/\/www.highdefdigest.com\/blog\/?p=87982"},"modified":"2017-10-27T05:37:45","modified_gmt":"2017-10-27T12:37:45","slug":"weekend-movies-oct-27-2017","status":"publish","type":"post","link":"https:\/\/www.highdefdigest.com\/blog\/weekend-movies-oct-27-2017\/","title":{"rendered":"Weekend Movies: How Puzzling&#8230;"},"content":{"rendered":"<p>Remember that excellent indie horror franchise that paved the path for torture porn and countless other micro-budget hits? You know, the one that Lionsgate completely burned everyone out on with annual obligatory sequels? Well, it&#8217;s back this weekend. Opening alongside it are a PTSD-focused war drama from the writer-turned-director of &#8216;American Sniper&#8217; and the most recent George Clooney-directed film to receive no love.<br \/>\n<!--more--><\/p>\n<p>In a day where every sequel has to have the name of the property followed by a semicolon and a subtitle (you know, because we moviegoers are too dumb to know if a movie is a sequel or not), Lionsgate has said &#8220;Screw that&#8221; and created the umpteenth &#8216;Saw&#8217; movie, but with a completely different title. The title &#8216;<strong>Jigsaw<\/strong>&#8216; may lead you to believe that it&#8217;s an origin story prequel about the serial killer&#8217;s youthful beginnings, but it&#8217;s actually (supposedly) a true sequel. Set ten years after the last entry, the titular sicko is back at it \u2013 at least, that&#8217;s what everyone thinks when a series of grisly murders pop up with his &#8220;Wanna play a game?&#8221; calling card. Being long dead, the mystery is whether Jigsaw somehow still alive, or if a copycat is now carrying the torch. Strongly disliking the lazy latter &#8216;Saw&#8217; movies, I couldn&#8217;t care less about &#8216;Jigsaw&#8217;. Considering the lack of press screenings across the country, it appears that Lionsgate is anticipating a lot of others sharing my same opinion.<\/p>\n<p>Miles Teller once seemed like a strong up-and-comer, but then throttled back a bit. With a movie released last week (&#8216;Only the Brave&#8217;) and another one out this weekend, it looks like he&#8217;s ramping up again. Much like the second half of &#8216;American Sniper&#8217;, &#8216;<strong>Thank You for Your Service<\/strong>&#8216; focuses on the post-war difficulties that U.S. troops experience upon returning home and attempting to adjust to normal life. The film follows a group of former soldiers, taking us through their personal and relationship struggles. The ensemble cast also includes Haley Bennett, Keisha Castle-Hughes, Amy Schumer and others.<\/p>\n<p>As a director, George Clooney can&#8217;t catch a break. Even a script written by the Coen brothers isn&#8217;t helping his latest film, &#8216;<strong>Suburbicon<\/strong>&#8216;, get positive reviews. Matt Damon, Julianne Moore and Oscar Isaac lead the film about a seemingly perfect cookie-cutter suburban neighborhood whose seedy, secret underbelly is exposed. I tend to like Clooney-directed films more than most, so I&#8217;m a little disappointed that this one wasn&#8217;t screened for press in my region (despite Paramount sending me a nifty &#8216;Suburbicon&#8217; lunchbox press kit to promote it).<\/p>\n<p>The week&#8217;s limited release that has my interest piqued comes to us from Open Road and Marc Forster. Blake Lively stars in &#8216;<strong>All I See Is You<\/strong>&#8216; as a blind woman whose marriage is changed drastically when she recovers her sight and can now see beyond the physical things that she previously couldn&#8217;t. Jason Clarke co-stars as her husband. &#8216;All I See Is You&#8217; is starting its theatrical run on 283 screens.<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>Remember that excellent indie horror franchise that paved the path for torture porn and countless other micro-budget hits? You know, the one that Lionsgate completely burned everyone out on with annual obligatory sequels? Well, it&#8217;s back this weekend. Opening alongside it are a PTSD-focused war drama from the writer-turned-director of &#8216;American Sniper&#8217; and the most&#8230;<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_excerpt --><!-- AddThis Share Buttons generic via filter on the_excerpt -->","protected":false},"author":13,"featured_media":87983,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[743],"tags":[9906,1132,9810,9902,134],"_links":{"self":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/87982"}],"collection":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/comments?post=87982"}],"version-history":[{"count":7,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/87982\/revisions"}],"predecessor-version":[{"id":88076,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/87982\/revisions\/88076"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media\/87983"}],"wp:attachment":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media?parent=87982"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/categories?post=87982"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/tags?post=87982"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}