{"id":85477,"date":"2017-06-19T09:00:19","date_gmt":"2017-06-19T16:00:19","guid":{"rendered":"http:\/\/www.highdefdigest.com\/blog\/?p=85477"},"modified":"2017-06-19T07:06:57","modified_gmt":"2017-06-19T14:06:57","slug":"box-office-jun-19-2017","status":"publish","type":"post","link":"https:\/\/www.highdefdigest.com\/blog\/box-office-jun-19-2017\/","title":{"rendered":"Weekend Box Office: Where the Rubber Meets the Road"},"content":{"rendered":"<p>This weekend saw an old champ return to the top of the pedestal. Of the other new movies, most played well with the exception of the female-led crude comedy, which stalled out.<!--more--><\/p>\n<p>Although &#8216;<strong>Cars 3<\/strong>&#8216; topped the weekend box office, moviegoers seem to have gone into it feeling leery. After the first sequel disappointed audiences everywhere, this week&#8217;s tepid response to the second sequel seems justified. The original &#8216;<a href=\"https:\/\/bluray.highdefdigest.com\/630\/cars.html\">Cars<\/a>&#8216; debuted to $60.1 million in 2006 and &#8216;<a href=\"https:\/\/bluray.highdefdigest.com\/5599\/cars2_3d.html\">Cars 2<\/a>&#8216; opened to $66.1 million in 2011. &#8216;Cars 3&#8217; had a slower-than-usual start with $53.5 million, but the improved word-of-mouth ought to carry it a good distance. Internationally, the movie launched in only five markets to $21.3 million, signaling that &#8216;Cars 3&#8242; might follow the ongoing trend of movies performing stronger overseas than they do domestically. We&#8217;re only 11 days away from the next big kids&#8217; movie storming the market (&#8216;Despicable Me 3&#8217;), so Lightning McQueen can&#8217;t just sit back in cruise control with this one. I expect to see Disney&#8217;s heavy marketing campaign keep pace until then.<\/p>\n<p>&#8216;<strong>Wonder Woman<\/strong>&#8216; was nudged into second place, but she&#8217;s still whipping up a lot of cash. The film is not only playing well, it&#8217;s holding over better than most comic book movies. The third week resulted in a light 30% drop and another $40.7 million. After 17 days, DC&#8217;s latest has earned $274.6 million domestically and $297.2 million overseas, raising its worldwide total to $571.8 million.<\/p>\n<p>Blowing expectations out of the water, the Tupac bio-pic &#8216;<strong>All Eyez on Me<\/strong>&#8216; opened in third place with $27 million. Budget details haven&#8217;t been announced, but are estimated below $20 million. This debut is definitely a win for Lionsgate. No details have been released as to when the movie will roll out overseas.<\/p>\n<p>Had Universal&#8217;s reboot of &#8216;<strong>The Mummy<\/strong>&#8216; opening big last week, this week&#8217;s 56% drop in attendance would have been justified. But it <em>didn&#8217;t<\/em> open well last week, so the domestic run is even less impressive after this decline. Finishing in fourth place, the Tom Cruise vehicle grossed $13.9 million, bringing this $125 million picture&#8217;s ten-day total to just $56.5 million. The overseas results are another story. Once again closing the weekend as the #1 film internationally, it added $53 million to its foreign total, which is now up to $239.1 million. With a $295.6 million worldwide total, Universal is likely to break even with &#8216;The Mummy&#8217; over the next several days, but with very little help from North American moviegoers.<\/p>\n<p>Despite opening in the wake of last year&#8217;s female-led shark attack movie &#8216;The Shallows&#8217;, the similar, albeit lesser, &#8216;<strong>47 Meters Down<\/strong>&#8216; opened quite well. Rounding out the Top 5, the thriller made $11.5 million from 2,270 locations. The movie&#8217;s budget has yet to be made public, but it couldn&#8217;t have cost too much more than that to produce. An international release schedule has also not been announced, but poorly-titled first-time distributor Entertainment Studios is pleased with these results.<\/p>\n<p>Playing on 3,162 screens, &#8216;<strong>Rough Night<\/strong>&#8216; had a rough weekend with a $2,543 per-screen average. This marks the second Scarlett Johansson flop of the year. The R-rated comedy opened at #7 with $8 million. Overseas, it made $4.2 million, bringing its worldwide debut to $12.2 million. $20 million movies need to earn more than that \u2013 especially when playing on such a wide scale.<\/p>\n<p>Colin Trevorrow&#8217;s indie film &#8216;<strong>The Book of Henry<\/strong>&#8216; also failed to find an audience. Playing on 579 screens, it collected a nearly identical per-screen average ($2,431) as &#8216;Rough Night&#8217;. With $1.4 million, it landed in the #13 spot. Budgeted at $10 million, Focus Features can&#8217;t be pleased with the outcome.<\/p>\n<h2>Top 10:<\/h2>\n<p>1. &#8216;Cars 3&#8217; (Buena Vista) &#8211; $53,547,000<\/p>\n<p>2. &#8216;Wonder Woman&#8217; (Warner Bros.) &#8211; $40,775,000<\/p>\n<p>3. &#8216;All Eyez on Me&#8217; (Lionsgate) &#8211; $27,050,000<\/p>\n<p>4. &#8216;The Mummy&#8217; (Universal) &#8211; $13,916,010<\/p>\n<p>5. &#8217;47 Meters Down&#8217; (Entertainment Studios) &#8211; $11,500,000<\/p>\n<p>6. &#8216;Pirates of the Caribbean: Dead Men Tell No Tales&#8217; (Buena Vista) &#8211; $8,458,000<\/p>\n<p>7. &#8216;Rough Night&#8217; (Sony) &#8211; $8,040,000<\/p>\n<p>8. &#8216;Captain Underpants: The First Epic Movie&#8217; (Fox) &#8211; $7,350,000<\/p>\n<p>9. &#8216;Guardians of the Galaxy Vol. 2&#8217; (Buena Vista) &#8211; $4,982,000<\/p>\n<p>10. &#8216;It Comes at Night&#8217; (A24) &#8211; $2,616,600<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>This weekend saw an old champ return to the top of the pedestal. Of the other new movies, most played well with the exception of the female-led crude comedy, which stalled out.<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_excerpt --><!-- AddThis Share Buttons generic via filter on the_excerpt -->","protected":false},"author":13,"featured_media":85478,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[743],"tags":[9629,9634,178,3163,9628,459,7762],"_links":{"self":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/85477"}],"collection":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/comments?post=85477"}],"version-history":[{"count":5,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/85477\/revisions"}],"predecessor-version":[{"id":85560,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/85477\/revisions\/85560"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media\/85478"}],"wp:attachment":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media?parent=85477"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/categories?post=85477"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/tags?post=85477"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}