{"id":85100,"date":"2017-05-30T09:00:16","date_gmt":"2017-05-30T16:00:16","guid":{"rendered":"http:\/\/www.highdefdigest.com\/blog\/?p=85100"},"modified":"2017-05-30T05:37:03","modified_gmt":"2017-05-30T12:37:03","slug":"box-office-may-30-2017","status":"publish","type":"post","link":"https:\/\/www.highdefdigest.com\/blog\/box-office-may-30-2017\/","title":{"rendered":"Weekend Box Office: Dead Man Walking"},"content":{"rendered":"<p>Although this holiday weekend wasn&#8217;t a bust for either of the new wide release movies, both fell very short of expectations. The fifth installment to Disney&#8217;s tentpole pirate franchise won the box office, but delivered the series&#8217; lowest opening since the original film.<br \/>\n<!--more--><\/p>\n<p>At the same time, even though The Rock has proven to be a very bankable actor, it turns out that people don&#8217;t want to see him in a crude R-rated comedy. The only new release to turn heads and play better than expected was a documentary about The Grateful Dead.<\/p>\n<p>Dead franchises fill no seats \u2013 at least, they don&#8217;t domestically. OK,  that&#8217;s a gross overstatement because &#8216;<strong>Pirates of the Caribbean: Dead Men Tell No Tales<\/strong>&#8216; easily finished Memorial Day at the top of the box office with $62.6 million over the three-day weekend and $77 million over the four-day holiday weekend. However, neither of those totals matched industry predictions. The three-day actuals are nearly $30 million below the opening of the last &#8216;Pirates&#8217; picture. With a price tag of $230 million, these opening numbers would be a heavy blow, but luckily the international box office is making up for the domestic lag. You see, just like the &#8216;Fast and Furious&#8217; franchise, the international box office for &#8216;Pirates&#8217; gets stronger with each new installment even as the domestic box office slows down. &#8216;Dead Men Tell No Tales&#8217; kicked off in every overseas market this weekend and pulled in $208.4 million, giving it a $271 million worldwide launch. With that trend in progress, it&#8217;ll be interesting to see if Disney decides to milk this cash cow for another movie or two despite &#8216;Dead Men&#8217; supposedly being the last.<\/p>\n<p>Unexpectedly, &#8216;<strong>Guardians of the Galaxy Vol. 2<\/strong>&#8216; retained second place over the weekend. (It was predicted to finish at #3.) Now four weeks into the movie&#8217;s theatrical release, Star Lord and company earned $20.6 million over the three-day weekend and $25.1 million over the four days. Combining the $338.4 million domestic draw with the $450.1 million international total gives &#8216;Vol. 2&#8217; a worldwide gross of $788.5 million, which surpasses the entire run of the original &#8216;Guardians&#8217; ($773.3 million). That also makes it the fifth highest-grossing entry to Marvel&#8217;s cinematic universe.<\/p>\n<p>The R-rated comedic adaptation of &#8216;<strong>Baywatch<\/strong>&#8216; was expected to have a solid opening, but the box office proved otherwise. Moviegoers smelled what The Rock was cooking and walked in the other direction. The three-day weekend saw $18.5 million and the four-day saw $23 million. The decision to open on Thursday was wise, as the movie grossed $4.6 million with the head-start, placing its domestic total at $27.6 million. With a production budget of $69 million, Paramount is certainly hoping for huge numbers when &#8216;Baywatch&#8217; kicks off overseas.<\/p>\n<p>Falling from the top spot to #4, &#8216;<strong>Alien: Covenant<\/strong>&#8216; took a brutal drop over its second week. The three-day weekend resulted in a 71% dip in attendance and just $10.5 million. (It made $13.1 million over the four-day weekend.) Although the domestic box office is getting its face hugged, international moviegoers continue to fuel the &#8216;Prometheus&#8217; sequel. Summing its $59.9 million domestic box office with the $101 million foreign total, the $96 million &#8216;Covenant&#8217; now has a worldwide gross of $160.9 million.<\/p>\n<p>Rounding out the Top 5 was last week&#8217;s well-attended YA adaptation, &#8216;<strong>Everything, Everything<\/strong>&#8216;. Its three-day weekend dipped 49 % and yielded $6 million, while the four-day weekend gave it $7.3 million. The small $10 million picture has now made $22.7 million domestically and has yet to debut overseas.<\/p>\n<p>The Grateful Dead rockumentary &#8216;<strong>Long Strange Trip<\/strong>&#8216; launched at two locations this weekend and earned $34,131, for a per-screen average of $17,066. While those numbers are great, Thursday night was even more impressive. A single-showing event was held on 50 screens and resulted in $261,575. Another even more impressive consideration is that the film features a four-hour runtime, meaning that its strong weekend numbers were achieved with lesser showtimes than most other movies. It&#8217;ll be interesting to see if this has any impact on concert ticket sales for the Dead &amp; Company tour that&#8217;s making the rounds right now.<\/p>\n<h2>Top 10 (3-Day):<\/h2>\n<p>1. &#8216;Pirates of the Caribbean: Dead Men Tell No Tales&#8217; (Buena Vista) &#8211; $62,606,000<\/p>\n<p>2. &#8216;Guardians of the Galaxy Vol. 2&#8217; (Buena Vista) &#8211; $20,641,000<\/p>\n<p>3. &#8216;Baywatch&#8217; (Paramount) &#8211; $18,570,000<\/p>\n<p>4. &#8216;Alien: Covenant&#8217; (Fox) &#8211; $10,550,000<\/p>\n<p>5. &#8216;Everything, Everything&#8217; (Warner Bros.) &#8211; $6,025,000<\/p>\n<p>6. &#8216;Diary of a Wimpy Kid: The Long Haul&#8217; (Fox) &#8211; $4,445,000<\/p>\n<p>7. &#8216;Snatched&#8217; (Fox) &#8211; $3,895,000<\/p>\n<p>8. &#8216;King Arthur: Legend of the Sword&#8217; (Warner Bros.) &#8211; $3,265,000<\/p>\n<p>9. &#8216;The Boss Baby&#8217; (Fox) &#8211; $1,715,000<\/p>\n<p>10. &#8216;Beauty and the Beast&#8217; (Buena Vista) &#8211; $1,480,000<\/p>\n<h2>Top 10 (4-Day):<\/h2>\n<p>1. &#8216;Pirates of the Caribbean: Dead Men Tell No Tales&#8217; (Buena Vista) &#8211; $77,044,000<\/p>\n<p>2. &#8216;Guardians of the Galaxy Vol. 2&#8217; (Buena Vista) &#8211; $25,153,000<\/p>\n<p>3. &#8216;Baywatch&#8217; (Paramount) &#8211; $23,000,000<\/p>\n<p>4. &#8216;Alien: Covenant&#8217; (Fox) &#8211; $13,150,000<\/p>\n<p>5. &#8216;Everything, Everything&#8217; (Warner Bros.) &#8211; $7,375,000<\/p>\n<p>6. &#8216;Diary of a Wimpy Kid: The Long Haul&#8217; (Fox) &#8211; $5,800,000<\/p>\n<p>7. &#8216;Snatched&#8217; (Fox) &#8211; $4,875,000<\/p>\n<p>8. &#8216;King Arthur: Legend of the Sword&#8217; (Warner Bros.) &#8211; $4,145,000<\/p>\n<p>9. &#8216;The Boss Baby&#8217; (Fox) &#8211; $2,300,000<\/p>\n<p>10. &#8216;Beauty and the Beast&#8217; (Buena Vista) &#8211; $1,931,000<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>Although this holiday weekend wasn&#8217;t a bust for either of the new wide release movies, both fell very short of expectations. The fifth installment to Disney&#8217;s tentpole pirate franchise won the box office, but delivered the series&#8217; lowest opening since the original film.<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_excerpt --><!-- AddThis Share Buttons generic via filter on the_excerpt -->","protected":false},"author":13,"featured_media":85102,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[743],"tags":[159,9323,178,9574,9595,7205,2278],"_links":{"self":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/85100"}],"collection":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/comments?post=85100"}],"version-history":[{"count":6,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/85100\/revisions"}],"predecessor-version":[{"id":85103,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/85100\/revisions\/85103"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media\/85102"}],"wp:attachment":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media?parent=85100"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/categories?post=85100"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/tags?post=85100"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}