{"id":83682,"date":"2017-03-13T09:00:58","date_gmt":"2017-03-13T16:00:58","guid":{"rendered":"http:\/\/www.highdefdigest.com\/blog\/?p=83682"},"modified":"2018-01-12T12:39:51","modified_gmt":"2018-01-12T20:39:51","slug":"box-office-mar-13-2017","status":"publish","type":"post","link":"https:\/\/www.highdefdigest.com\/blog\/box-office-mar-13-2017\/","title":{"rendered":"Weekend Box Office: Hail to the King, Baby"},"content":{"rendered":"<p>These days, sequels, spin-offs, reboots and remakes are no longer guaranteed box office success as they were when they started flooding the market a decade ago, but that doesn&#8217;t mean studios are about to stop trying. Warner Bros. took an expensive risk by resurrecting (again) its mammoth monster franchises. It paid off three years ago with &#8216;Godzilla&#8217;, and did so again this weekend with the latest iteration of King Kong.<br \/>\n<!--more--><\/p>\n<p>After &#8216;Logan&#8217; had an $88.4 million opening last week, it was questionable if &#8216;<strong>Kong: Skull Island<\/strong>&#8216; could dethrone it this weekend, but moviegoers went bananas for the PG-13 popcorn flick. With a $61 million debut, &#8216;Kong&#8217; is king. However, this total is little disappointing when you consider that &#8216;<a href=\"https:\/\/bluray.highdefdigest.com\/12448\/godzilla2014.html\">Godzilla<\/a>&#8216; opened to $93.1 million in 2014. This diminishing trend also carried through to international markets. While &#8216;Godzilla&#8217; opened in 64 markets with $103.4 million, &#8216;Kong&#8217; only opened to $81.6 million from 65 markets. In addition, &#8216;Godzilla&#8217; was produced for $160 million and &#8216;Kong&#8217; cost $185 million. It will be interesting to see how this pans out. If &#8216;Kong&#8217; doesn&#8217;t pull through, do you think Warner Bros. will still pursue its planned 2020 release of &#8216;Godzilla v. Kong: Dawn of Destruction&#8217;?<\/p>\n<p>&#8216;<strong>Logan<\/strong>&#8216; took a slightly harder than expected hit over its second week, but with an adamantium frame, can take a licking and keep on ticking. Even with a 57% drop, the movie still grossed $37.8 million and had no trouble locking in second place. After ten days, the R-rated Marvel movie has brought in $152.6 million domestically and $285.6 million overseas. With a worldwide total of $438.2 million, the $97 million picture is well into the range of profitability. Of the ten &#8216;X-Men&#8217; universe movies, it currently ranks as the fifth-highest grossing \u2013 and it&#8217;s not even close to bowing.<\/p>\n<p>Jordan Peele&#8217;s &#8216;<strong>Get Out<\/strong>&#8216; fell into third place in its third week. The R-rated horror movie saw another extremely light decline. Falling just 25% in attendance, it earned another $21 million, boosting its 17-day total up to $111 million. The $4.5 million picture is now Blumhouse&#8217;s second-highest grossing picture (behind January&#8217;s &#8216;Split&#8217;), and it&#8217;s also not even close to being done yet.<\/p>\n<p>Although critically panned, faith-based &#8216;<strong>The Shack<\/strong>&#8216; had a solid debut last week. Positive word-of-mouth resulted in a light 38% dip in attendance. The drama dropped into the #4 spot and brought in $10 million. Ten days in, its domestic total is up to $32.2 million. Budgeted at $20 million, it still has a way to go, but the upcoming international rollout ought to help with that.<\/p>\n<p>Now in its fifth week, &#8216;<strong>The Lego Batman Movie<\/strong>&#8216; rounded out the Top 5 thanks to a 33% drop and a $7.8 million weekend. The $80 million family film has made $159 million domestically and $116.5 million overseas, giving it a worldwide total of $275.5 million.<\/p>\n<p>Both of the weekend&#8217;s notable indie releases performed rather well. From four locations, Kristen Stewart&#8217;s ghost thriller &#8216;<strong>Personal Shopper<\/strong>&#8216; collected $92,516 and a per-screen average of $23,129. From two locations, the French\/Belgian coming-of-age cannibal thriller &#8216;<strong>Raw<\/strong>&#8216; consumed $25,230 and a per-screen average of $12,615.<\/p>\n<h2>Top 10:<\/h2>\n<p>1. &#8216;Kong: Skull Island&#8217; (Warner Bros.) &#8211; $61,015,000<\/p>\n<p>2. &#8216;Logan&#8217; (Fox) &#8211; $37,850,000<\/p>\n<p>3. &#8216;Get Out&#8217; (Universal) &#8211; $21,072,600<\/p>\n<p>4. &#8216;The Shack&#8217; (Lionsgate) &#8211; $10,050,000<\/p>\n<p>5. &#8216;The LEGO Batman Movie&#8217; (Warner Bros.) &#8211; $7,820,000<\/p>\n<p>6. &#8216;Before I Fall&#8217; (Open Road) &#8211; $3,107,910<\/p>\n<p>7. &#8216;Hidden Figures&#8217; (Fox) &#8211; $2,765,000<\/p>\n<p>8. &#8216;John Wick: Chapter Two&#8217; (Lionsgate) &#8211; $2,700,000<\/p>\n<p>9. &#8216;La La Land&#8217; (Lionsgate) &#8211; $1,770,000<\/p>\n<p>10. &#8216;Fifty Shades Darker&#8217; (Universal) &#8211; $1,629,250<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>These days, sequels, spin-offs, reboots and remakes are no longer guaranteed box office success as they were when they started flooding the market a decade ago, but that doesn&#8217;t mean studios are about to stop trying. Warner Bros. took an expensive risk by resurrecting (again) its mammoth monster franchises. It paid off three years ago&#8230;<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_excerpt --><!-- AddThis Share Buttons generic via filter on the_excerpt -->","protected":false},"author":13,"featured_media":83679,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[743],"tags":[178,9348,486,9431,9987,9120,9126,9465,568,273],"_links":{"self":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/83682"}],"collection":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/comments?post=83682"}],"version-history":[{"count":5,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/83682\/revisions"}],"predecessor-version":[{"id":83769,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/83682\/revisions\/83769"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media\/83679"}],"wp:attachment":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media?parent=83682"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/categories?post=83682"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/tags?post=83682"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}