{"id":8314,"date":"2010-11-15T12:00:39","date_gmt":"2010-11-15T20:00:39","guid":{"rendered":"http:\/\/www.highdefdigest.com\/blog\/?p=8314"},"modified":"2017-08-10T11:37:59","modified_gmt":"2017-08-10T18:37:59","slug":"boxoffice-nov-15-2010","status":"publish","type":"post","link":"https:\/\/www.highdefdigest.com\/blog\/boxoffice-nov-15-2010\/","title":{"rendered":"Weekend Box Office: Not So Glorious"},"content":{"rendered":"<p>There was something of a question mark going into the weekend: Would the feel-good romantic comedy &#8216;Morning Glory&#8217; be the box office victor or would Tony Scott&#8217;s instantly-underrated runaway train thriller &#8216;Unstoppable&#8217; take the top slot? A lesser writer would make this into an asinine &#8220;battle of the sexes&#8221; type piece. There are plenty of young men my age who were looking forward to &#8216;Morning Glory&#8217;. (Harrison Ford stars, J.J. Abrams produces, Rachel McAdams looks adorable.) And there were plenty of women in the opening night audience of &#8216;Unstoppable&#8217; when I saw the film in Connecticut on Friday. <em>&#8220;All right already,&#8221;<\/em> you&#8217;re saying. &#8220;<em>Which won?&#8221;<\/em> Well, read on to find out.<\/p>\n<h6><!--more--><\/h6>\n<p>&#8216;<strong>Unstoppable<\/strong>&#8216; ultimately proved stoppable at the box office, raking up a healthy $23.5 million over the weekend, which wasn&#8217;t even enough for the #1 slot (it did, however, secure the second place). This movie has a lot going for it, and is easily Scott&#8217;s best work in ages. It&#8217;s a slickly-rendered, finely-tuned action piece that plays like &#8216;<a href=\"https:\/\/bluray.highdefdigest.com\/2068\/wagesfear.html\">The Wages of Fear<\/a>&#8216; cranked up to 11, with some very colorful filters and editorial tics. What&#8217;s more, the movie has a lot of stuff going on thematically that mass audiences can easily connect to: a large corporation distancing itself from an environmental catastrophe (BP, anyone?), blue collar workers facing redundancies at work and troubles at home, and a wonderfully simplistic metaphor at its heart \u2013 that sometimes, shit gets away from us. I really loved this movie. There will certainly be folks claiming that the release of the \u00fcber-selling &#8216;Call of Duty: Black Ops&#8217; (which is targeted at the same thrill-junkie young males) had an impact on the overall box office. But maybe, after the gamers have climbed out of their basement dwellings, they&#8217;ll go to the theater and see this, because it kicks all sorts of ass.<\/p>\n<p>Still, it wasn&#8217;t enough to usurp last week&#8217;s winner, &#8216;<a href=\"https:\/\/www.highdefdigest.com\/blog\/megamind-review\/\">Megamind<\/a>&#8216;, which was again this week&#8217;s biggest champion with an additional $26 million. To which I say: Ewwwww&#8230;.<\/p>\n<p>Somewhat surprisingly, &#8216;<strong>Morning Glory<\/strong>&#8216; (which I still haven&#8217;t seen) came in at #5. It fell behind crass road comedy &#8216;<strong>Due Date<\/strong>&#8216; (down 54%, still $16.5 million strong), and the debut of funky\/horrible alien invasion flick &#8216;<strong>Skyline<\/strong>&#8216; ($14 million). &#8216;Glory&#8217; came up with $14 million, which is still respectable, but far from the big hit that some predicted. I&#8217;m not sure what the problem was, besides the somewhat elliptical and older-skewing advertising campaign. Also, these days, unless he&#8217;s got a whip and a fedora, Harrison Ford can&#8217;t open a movie to save his life. (Anyone remember &#8216;Hollywood Homicide&#8217;?) However, this could gather momentum thanks to strong word of mouth and end up being a sleeper hit. But it has a huge roadblock next week in the form of &#8216;Love and Other Drugs&#8217;, which looks to be going after the same sophisticated rom-com audience. (Although that film has a darker strain of drama that ribbons throughout the fluffier moments.)<\/p>\n<p>The rest of the list is pretty business-as-usual.<\/p>\n<p>&#8216;<a href=\"https:\/\/www.highdefdigest.com\/blog\/social-network-review\/\">The Social Network<\/a>&#8216; finally dropped out of the Top 10. This weekend, I was waiting to go into another movie at the Sony Screening Room in Manhattan, but there was a picture already playing. When I asked somebody what it was, I was told that it was a &#8216;Social Network&#8217; screening for Academy voters. The heat, as <a href=\"https:\/\/www.youtube.com\/watch?v=1-mU-YSk32I\">Glenn Frey would say<\/a>, is on.<\/p>\n<p><strong>The Top 10<\/strong>:<\/p>\n<p>01 &#8216;Megamind&#8217; (Dream Works Animation\/Paramount) &#8211; $26 million<\/p>\n<p>02 &#8216;Unstoppable&#8217; (Fox) &#8211; $23.5 million<\/p>\n<p>03 &#8216;Due Date&#8217; (Warner Bros) &#8211; $16 million<\/p>\n<p>04 &#8216;Skyline&#8217; (Relativity\/Universal) &#8211; $12 million<\/p>\n<p>05 &#8216;Morning Glory&#8217; (Paramount) &#8211; $12 million<\/p>\n<p>06 &#8216;For Colored Girls (Lionsgate) &#8211; $6.8 million<\/p>\n<p>07 &#8216;RED&#8217; (Summit) &#8211; $5 million<\/p>\n<p>08 &#8216;Paranormal Activity 2&#8217; (Paramount) &#8211; $3 million<\/p>\n<p>09 &#8216;Saw 3D&#8217; (Lionsgate) &#8211; $2.9 million<\/p>\n<p>10 &#8216;Jackass 3D&#8217; (Paramount) &#8211; $2.3 million<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>There was something of a question mark going into the weekend: Would the feel-good romantic comedy &#8216;Morning Glory&#8217; be the box office victor or would Tony Scott&#8217;s instantly-underrated runaway train thriller &#8216;Unstoppable&#8217; take the top slot? A lesser writer would make this into an asinine &#8220;battle of the sexes&#8221; type piece. There are plenty of&#8230;<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_excerpt --><!-- AddThis Share Buttons generic via filter on the_excerpt -->","protected":false},"author":7,"featured_media":8308,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[743],"tags":[178,1587,1460,1395,1628,1378,1629],"_links":{"self":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/8314"}],"collection":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/comments?post=8314"}],"version-history":[{"count":9,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/8314\/revisions"}],"predecessor-version":[{"id":8575,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/8314\/revisions\/8575"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media\/8308"}],"wp:attachment":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media?parent=8314"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/categories?post=8314"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/tags?post=8314"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}