{"id":81551,"date":"2016-11-21T09:00:53","date_gmt":"2016-11-21T17:00:53","guid":{"rendered":"http:\/\/www.highdefdigest.com\/blog\/?p=81551"},"modified":"2016-11-20T17:25:03","modified_gmt":"2016-11-21T01:25:03","slug":"box-office-nov-21-2016","status":"publish","type":"post","link":"https:\/\/www.highdefdigest.com\/blog\/box-office-nov-21-2016\/","title":{"rendered":"Weekend Box Office: Oh Oh, It&#8217;s Magic!"},"content":{"rendered":"<p>The fans turned out this weekend for the latest offering in J.K. Rowling&#8217;s wizarding world, but that was the only movie to perform as expected. Not only did the other wide releases miss the mark, but the expanding limited releases under-performed and all other holdovers dropped harder than usual. Of the expected moviegoers, only the Potterverse fans showed up this weekend.<!--more--><\/p>\n<p>&#8216;<strong>Fantastic Beasts and Where to Find Them<\/strong>&#8216; will be an interesting title to track at the box office. While the spinoff originates from the highly successful eight-film &#8216;Harry Potter&#8217; franchise, the content is brand new, not based on any existing books. Leading into the weekend, it was difficult to forecast the outcome. Most predictions were off, but the film&#8217;s distributor pegged it.<\/p>\n<p>From 4,144 screens, including 2D, 3D, IMAX and IMAX 3D, &#8216;Fantastic Beasts&#8217; grossed $75 million, easily making it the #1 movie in North America. In comparison to the &#8216;Harry Potter&#8217; movies, this debut is less than $3 million behind the franchise&#8217;s two lowest-opening entries, which is a pretty solid feat for a spinoff. Overseas, where the magical film opened on Wednesday, the total sits at $143.3 million, giving it a worldwide debut of $218.3 million. With a budget of $180 million, as North America heads into a holiday week and the international roll-out continues, &#8216;Fantastic Beasts&#8217; shouldn&#8217;t have any trouble becoming another big hit for Warner Bros.<\/p>\n<p>After two weeks at the top of the charts, &#8216;<strong>Doctor Strange<\/strong>&#8216; took a pretty heavy hit, but it&#8217;s too early to tell if it will finish in second place or third. Falling 59% in attendance, Marvel&#8217;s latest earned $17.6 million. However, fellow three-week-old &#8216;<strong>Trolls<\/strong>&#8216; is also estimated to have made $17.5 million, so the two could very well swap positions when the weekend actuals are announced later today. Budgeted at $165 million, &#8216;Strange&#8217; has now accumulated $181.5 million domestically and $390 million overseas, for a huge worldwide total of $571.5 million. With a smaller budget of $125 million, &#8216;Trolls&#8217; sits with $116.2 million domestically, $145.1 million overseas, and $261.3 million worldwide.<\/p>\n<p>Last week&#8217;s sci-fi opener &#8216;<strong>Arrival<\/strong>&#8216; dropped from third place to fourth. As was the case with &#8216;Doctor Strange&#8217; and &#8216;Trolls&#8217;, the film&#8217;s week-over-week drop-off was harsher than expected. Adding $11.8 million, its domestic total is up to $43.3 million. Internationally, where its release is still limited, the alien encounter drama has made $10.8 million, making a worldwide total of $54.2 million.<\/p>\n<p>Last week&#8217;s seasonal comedy &#8216;<strong>Almost Christmas<\/strong>&#8216; had a decent opening that led analysts to believe it would have long legs though the holidays. However, this weekend&#8217;s unfriendly drop is causing those predictions to be reversed. Falling 54%, it added $7 million to its domestic total, which is at $25.4 million, and seized the #5 spot. <\/p>\n<p>The weekend&#8217;s other two nationwide releases opened outside the Top 5.<\/p>\n<p>Playing on 1,945 screens, STX&#8217;s coming-of-age dramedy &#8216;<strong>The Edge of Seventeen<\/strong>&#8216; failed to find an audience. The small $9 million picture doesn&#8217;t need to earn much in order to be successful, but the $4.8 million debut isn&#8217;t much help in getting it there. With an R-rating keeping its targeted demographic from seeing the movie and the lead character being extremely unlikable, I&#8217;m not surprised to see this poor performance.<\/p>\n<p>Doing even worse was Miles Teller&#8217;s boxing drama &#8216;<strong>Bleed for This<\/strong>&#8216;. With an eighth place opening and a $2.3 million draw from 1,549 screens, someone at Open Road Films will certainly bleed for this.<\/p>\n<p>The weekend&#8217;s two limited release Oscar hopefuls opened strongly. From 37 locations, &#8216;<strong>Nocturnal Animals<\/strong>&#8216; made $494,000 and a per-screen average of $13,351. Playing even better from just four locations, &#8216;<strong>Manchester by the Sea<\/strong>&#8216; earned $241,230 and a per-screen average of $60,308 \u2013 which is one of the year&#8217;s best. As we head into the competitive award season, both are expected to expand.<\/p>\n<h2>Top 10:<\/h2>\n<p>1. &#8216;Fantastic Beasts and Where to Find Them&#8217; (Warner Bros.) &#8211; $75,000,000<\/p>\n<p>2. &#8216;Doctor Strange&#8217; (Buena Vista) &#8211; $17,676,000<\/p>\n<p>3. &#8216;Trolls&#8217; (Fox) &#8211; $17,500,000<\/p>\n<p>4. &#8216;Arrival&#8217; (Paramount) &#8211; $11,800,000<\/p>\n<p>5. &#8216;Almost Christmas&#8217; (Universal) &#8211; $7,040,000<\/p>\n<p>6. &#8216;Hacksaw Ridge&#8217; (Lionsgate) &#8211; $6,750,000<\/p>\n<p>7. &#8216;The Edge of Seventeen&#8217; (STX) &#8211; $4,825,000<\/p>\n<p>8. &#8216;Bleed for This&#8217; (Open Road) &#8211; $2,357,946<\/p>\n<p>9. &#8216;The Accountant&#8217; (Warner Bros.) &#8211; $2,115,000<\/p>\n<p>10. &#8216;Shut In&#8217; (EuropaCorp) &#8211; $1,600,000<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>The fans turned out this weekend for the latest offering in J.K. Rowling&#8217;s wizarding world, but that was the only movie to perform as expected. Not only did the other wide releases miss the mark, but the expanding limited releases under-performed and all other holdovers dropped harder than usual. Of the expected moviegoers, only the&#8230;<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_excerpt --><!-- AddThis Share Buttons generic via filter on the_excerpt -->","protected":false},"author":13,"featured_media":81552,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[743],"tags":[9266,9102,9281,178,8841,9282,9280,9291,9285,8961],"_links":{"self":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/81551"}],"collection":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/comments?post=81551"}],"version-history":[{"count":5,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/81551\/revisions"}],"predecessor-version":[{"id":81623,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/81551\/revisions\/81623"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media\/81552"}],"wp:attachment":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media?parent=81551"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/categories?post=81551"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/tags?post=81551"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}