{"id":72814,"date":"2015-09-23T10:00:27","date_gmt":"2015-09-23T17:00:27","guid":{"rendered":"http:\/\/www.highdefdigest.com\/blog\/?p=72814"},"modified":"2015-09-22T18:46:13","modified_gmt":"2015-09-23T01:46:13","slug":"tiff-kill-your-friends-movie-review","status":"publish","type":"post","link":"https:\/\/www.highdefdigest.com\/blog\/tiff-kill-your-friends-movie-review\/","title":{"rendered":"TIFF Journal: &#8216;Kill Your Friends&#8217;"},"content":{"rendered":"<p>Dark comedy is a difficult beast to tame. It&#8217;s a fine line between shock laughs and pandering tedium. It&#8217;s all too easy to numb your audience with outrageousness if you&#8217;re unable to top yourself or at least stumble onto something resembling a point. &#8216;Kill Your Friends&#8217; is unfortunately an example of pushing a dark comedy a little too far and burning out a little too quickly as a result.<br \/>\n<!--more--><\/p>\n<p>The movie has isolated scenes and sequences that are immensely watchable, just not enough for a feature length film.  <\/p>\n<p>Nicholas Hoult stars as a coked-out, entitled sociopath working in A&#038;R in the British record industry of the 1990s. Through sarcastic voiceovers, he proves to be as despicable as you&#8217;d imagine those people being. He claims to hate bands and music, but knows how to manipulate an image into something that will sell. Of course, he doesn&#8217;t actually spend too much time doing that. He&#8217;s mostly out there filling himself with as many substances as possible, abusing as many women as possible, and eventually even enjoying a little murder to get ahead. But it&#8217;s a comedy! A sick one.<\/p>\n<p>If that sounds like a remake of &#8216;American Psycho&#8217; with a Britpop setting, that&#8217;s exactly what the movie is. Sure, novelist-turned-screenwriter John Niven has a way with a nasty barb and a searing line of commentary, but he&#8217;s not particularly gifted at plotting or characterization. Everyone on screen is fairly loathsome and not in a particularly amusing or endearing way. They&#8217;re just crappy people to be with and that makes the flick tough to sit through. It also doesn&#8217;t help much that the script blows most of its psychotic load early on, so there aren&#8217;t many places for the antihero to go. You&#8217;re mostly just stuck watching him make a lateral slide from one bad behavior to the next. At first it&#8217;s kind of funny, and then eventually it becomes a little too much. <\/p>\n<p>Nicholas Hoult is unfortunately a little miscast in the role. He&#8217;s a strong actor, but not quite able to nail the wolf-in-snake&#8217;s-clothing here. Director Owen Harris has done some interesting work for the BBC like &#8216;Holy Flying Circus&#8217; and an episode of &#8216;Black Mirror&#8217;, but seems a little lost trying to translate this book into a film, doubling down on camera pyrotechnics in a futile attempt to add some energy to the tedious treadmill of filth. <\/p>\n<p>&#8216;Kill Your Friends&#8217; is hardly the worst movie ever made. It&#8217;s just rather frustrating to sit through given all the laughs that stick early on, the interesting world, and the predictably brilliant soundtrack of &#8217;90s Britpop. There are moments when the movie feels like an unholy mixture of &#8216;American Psycho&#8217; and &#8216;Trainspotting&#8217;, but far too many scenes feel like the work of people who have merely watched those movies a few too many times and don&#8217;t have much to add.<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>Dark comedy is a difficult beast to tame. It&#8217;s a fine line between shock laughs and pandering tedium. It&#8217;s all too easy to numb your audience with outrageousness if you&#8217;re unable to top yourself or at least stumble onto something resembling a point. &#8216;Kill Your Friends&#8217; is unfortunately an example of pushing a dark comedy&#8230;<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_excerpt --><!-- AddThis Share Buttons generic via filter on the_excerpt -->","protected":false},"author":29,"featured_media":72815,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4508],"tags":[8387,1234,8451,6129,1303,1233],"_links":{"self":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/72814"}],"collection":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/comments?post=72814"}],"version-history":[{"count":3,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/72814\/revisions"}],"predecessor-version":[{"id":72817,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/72814\/revisions\/72817"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media\/72815"}],"wp:attachment":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media?parent=72814"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/categories?post=72814"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/tags?post=72814"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}