{"id":67930,"date":"2015-02-02T09:00:17","date_gmt":"2015-02-02T17:00:17","guid":{"rendered":"http:\/\/www.highdefdigest.com\/blog\/?p=67930"},"modified":"2015-02-02T07:22:22","modified_gmt":"2015-02-02T15:22:22","slug":"box-office-feb-2-2015","status":"publish","type":"post","link":"https:\/\/www.highdefdigest.com\/blog\/box-office-feb-2-2015\/","title":{"rendered":"Weekend Box Office: Super Bowl Steals Everybody&#8217;s Thunder"},"content":{"rendered":"<p>As expected, the big game kept many moviegoers at home and out of theaters over the weekend. Estimates projected the rough patch, but even the studios didn&#8217;t foresee the blow being as heavy as it was.<br \/>\n<!--more--><\/p>\n<p>For the third week in a row, &#8216;<strong>American Sniper<\/strong>&#8216; remained in the top spot. Despite suffering its steepest decline yet (50%), the film broke yet another record. Its $31.8 million is the highest amount any movie has pulled in on a Super Bowl weekend. To date, &#8216;American Sniper&#8217; has earned $248.9 million domestically and $67.3 million overseas, which is over $100 million more than director Clint Eastwood&#8217;s previous highest-grossing movie (&#8216;Gran Torino&#8217;).<\/p>\n<p>Three-week-old &#8216;<strong>Paddington<\/strong>&#8216; currently sits in the #2 spot with $8.5 million, but that could easily change when the weekend actuals are released. The estimates only show it separated from the #3 movie, &#8216;<strong>Project Almanac<\/strong>&#8216;, by $5,000. The $12 million Found Footage &#8216;Almanac&#8217; was expected to debut with $16 million, but only opened to $8 million.<\/p>\n<p>Kevin Costner&#8217;s race relations drama &#8216;<strong>Black or White<\/strong>&#8216; opened in fourth place with $6.4 million. This isn&#8217;t a good start when you take into account that Costner personally financed more of the movie&#8217;s production budget than it drew this weekend, and that critical response has been highly negative.<\/p>\n<p>Fifth place went to last week&#8217;s Jennifer Lopez thriller &#8216;<strong>The Boy Next Door<\/strong>&#8216;. Dropping 59% in attendance, the scandalous flick grossed another $6 million, bringing this micro-budget movie&#8217;s ten-day total to $24.6 million.<\/p>\n<p>&#8216;<strong>The Loft<\/strong>&#8216; rounded out the Top 10 with a terrible $2.8 million debut. Having opened on 1,841 screens, the $1,564 per-screen average is a hard hit for Open Road Films.<\/p>\n<p>The IMAX release of the last two episodes of the fourth season of &#8216;<strong>Game of Thrones<\/strong>&#8216; did very well at 205 locations. The HBO series nabbed $1.5 million, for a per-screen average of $7,322. It&#8217;s safe to assume that IMAX will partner with more TV series for special events like this.<\/p>\n<p>Weekend numbers have yet to be released for Jason Statham&#8217;s action flick &#8216;Wild Card&#8217;.<\/p>\n<h2>Top 10:<\/h2>\n<p>1. &#8216;American Sniper&#8217; (Warner Bros.) &#8211; $31,850,000<\/p>\n<p>2. &#8216;Paddington&#8217; (Weinstein\/Dimension) &#8211; $8,505,000<\/p>\n<p>3. &#8216;Project Almanac&#8217; (Paramount) &#8211; $8,500,000<\/p>\n<p>4. &#8216;Black or White&#8217; (Relativity) &#8211; $6,456,000<\/p>\n<p>5. &#8216;The Boy Next Door&#8217; (Universal) &#8211; $6,093,000<\/p>\n<p>6. &#8216;The Wedding Ringer&#8217; (Screen Gems) &#8211; $5,700,000<\/p>\n<p>7. &#8216;The Imitation Game&#8217; (Weinstein) &#8211; $5,173,000<\/p>\n<p>8. &#8216;Taken 3&#8217; (Fox) &#8211; $3,650,000<\/p>\n<p>9. &#8216;Strange Magic&#8217; (Buena Vista) &#8211; $3,441,000<\/p>\n<p>10. &#8216;The Loft&#8217; (Open Road) &#8211; $2,879,000<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>As expected, the big game kept many moviegoers at home and out of theaters over the weekend. Estimates projected the rough patch, but even the studios didn&#8217;t foresee the blow being as heavy as it was.<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_excerpt --><!-- AddThis Share Buttons generic via filter on the_excerpt -->","protected":false},"author":13,"featured_media":68014,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[743],"tags":[7691,7952,178,7938,2810,7274,7951,2274,7953],"_links":{"self":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/67930"}],"collection":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/comments?post=67930"}],"version-history":[{"count":5,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/67930\/revisions"}],"predecessor-version":[{"id":68013,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/67930\/revisions\/68013"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media\/68014"}],"wp:attachment":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media?parent=67930"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/categories?post=67930"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/tags?post=67930"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}