{"id":62879,"date":"2014-06-06T10:00:12","date_gmt":"2014-06-06T17:00:12","guid":{"rendered":"http:\/\/www.highdefdigest.com\/blog\/?p=62879"},"modified":"2014-06-06T07:54:53","modified_gmt":"2014-06-06T14:54:53","slug":"weekend-movies-jun-6-2014","status":"publish","type":"post","link":"https:\/\/www.highdefdigest.com\/blog\/weekend-movies-jun-6-2014\/","title":{"rendered":"Weekend Movies: Nobody&#8217;s Fault but Our Own"},"content":{"rendered":"<p>Death abounds in this weekend&#8217;s new movies. In one, it&#8217;s a plot device so the main character can die and respawn over and over again. In another, it&#8217;s a manipulative tool used to toy with the audience&#8217;s emotions.<br \/>\n<!--more--><\/p>\n<p>The last several Tom Cruise movies have been poorly marketed, with advertising that made them look less cool, fun and entertaining than they really were. &#8216;<strong>Edge of Tomorrow<\/strong>&#8216; is no exception. In the sci-fi action flick (which was originally titled &#8216;All You Need Is Kill&#8217; but could have been called &#8216;A Million Ways to Die in the Future&#8217;), Cruise plays a public relations agent for the United States Army during a war against a powerful alien race that has conquered Europe. When he refuses orders to join to fight on the front lines with live cameras broadcasting his first battle, he&#8217;s demoted and sent there anyway. Unable to use the mechanized armor suits that troops of the future are equipped with, he doesn&#8217;t last long. However, something happens that causes him to re-live the 24 hours leading up to his death over and over again, &#8216;Groundhog Day&#8217; style. Fortunately, &#8216;Edge of Tomorrow&#8217; plays with this premise in really entertaining ways.<\/p>\n<p>Having had a critic friend recently pass away as the result of a dumb disease, I simply couldn&#8217;t go for &#8216;<strong>The Fault in Our Stars<\/strong>&#8216;. The YA adaptation tells the story of two teenagers with tragic back stories who find one another at a cancer support group. Shailene Woodley and her &#8216;Divergent&#8217; co-star Ansel Elgort (seriously, why would their parents give them those names?) play Hazel and Gus (seriously, why would their fictional parents give them those names?). Everywhere Hazel goes, she&#8217;s followed by her oxygen tank, and Gus lost a leg. Together, this tragic duo finds happiness and love through their tough trials. Suprisingly not written by Nicholas Sparks, it&#8217;s up in the air whether one of the kids will die or not. Adapted by the duo that gave us &#8216;<a href=\"https:\/\/bluray.highdefdigest.com\/2743\/500daysofsummer.html\">(500) Days of Summer<\/a>&#8216; (yay!) and &#8216;<a href=\"https:\/\/bluray.highdefdigest.com\/10263\/spectacularnow.html\">The Spectacular Now<\/a>&#8216; (boo!), &#8216;The Fault in Our Stars&#8217; could go either way.<\/p>\n<p>Following up from his 2008 directorial debut, an adaptation of Chuck Palahniuk&#8217;s &#8216;Choke&#8217;, Clark Gregg (Agent Coulson from many Marvel properties) gives us &#8216;<strong>Trust Me<\/strong>&#8216;, a small dramatic comedy that looks pretty good despite also seeming to be by-the-books. Gregg leads the picture as a Jerry Maguire-ish talent agent who gets laid off by his agency and tries to make it on his own. &#8216;Trust Me&#8217; co-stars Sam Rockwell, Allison Janney, Felicity Huffman, William H. Macy, Amanda Peet and Molly Shannon.<\/p>\n<p>Also a refugee from the Marvel Cinematic Universe, after several successful weeks in limited release, Jon Favreau&#8217;s &#8216;Chef&#8217; is officially going wide. Moving up to nearly 1,300 screens, the star- and food-filled comedy should now be playing very close to you.<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>Death abounds in this weekend&#8217;s new movies. In one, it&#8217;s a plot device so the main character can die and respawn over and over again. In another, it&#8217;s a manipulative tool used to toy with the audience&#8217;s emotions.<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_excerpt --><!-- AddThis Share Buttons generic via filter on the_excerpt -->","protected":false},"author":13,"featured_media":62880,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[743],"tags":[7075,7419,7441,134],"_links":{"self":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/62879"}],"collection":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/comments?post=62879"}],"version-history":[{"count":6,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/62879\/revisions"}],"predecessor-version":[{"id":62950,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/62879\/revisions\/62950"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media\/62880"}],"wp:attachment":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media?parent=62879"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/categories?post=62879"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/tags?post=62879"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}