{"id":51336,"date":"2013-05-20T09:00:53","date_gmt":"2013-05-20T16:00:53","guid":{"rendered":"http:\/\/www.highdefdigest.com\/blog\/?p=51336"},"modified":"2013-09-10T16:40:42","modified_gmt":"2013-09-10T23:40:42","slug":"boxoffice-may-20-2013","status":"publish","type":"post","link":"https:\/\/www.highdefdigest.com\/blog\/boxoffice-may-20-2013\/","title":{"rendered":"Weekend Box Office: To $70 Million&#8230; and Beyond!"},"content":{"rendered":"<p>As this weekend proves, you don&#8217;t have to be a nerd to be a &#8216;Star Trek&#8217; fan.<br \/>\n<!--more--><\/p>\n<p>I&#8217;ve been waiting for the day that a &#8216;Star Trek&#8217; movie opens north of $100 million. While early predictions made claims that we could see that happen this weekend, sadly, even with a fantastic sequel and the extra profit from 3D and IMAX showings, &#8216;<strong>Star Trek into Darkness<\/strong>&#8216; couldn&#8217;t pull it off.<\/p>\n<p>Tony Stark and Jay Gatsby put up a strong fight, but J.J. Abrams&#8217; second &#8216;Star Trek&#8217; film pulled through. Playing on 3,868 screens across North America, &#8216;Darkness&#8217; earned a healthy $70.5 million over the three-day weekend. $13.5 million of that came from its 336-screen IMAX release. If you include the totals from the Wednesday night IMAX-exclusive opening and Thursday&#8217;s wide release, Paramount has already earned $84 million domestically from the 12th motion picture in the &#8216;Trek&#8217; series. Combined with the overseas totals, the film has already made $164.6 million.<\/p>\n<p>To no one&#8217;s surprise, &#8216;<strong>Iron Man 3<\/strong>&#8216; finished in second place with a great $35.1 million. The Marvel movie has now earned $337 million domestically and $698.9 million overseas, pushing its worldwide haul well over the $1 billion milestone.<\/p>\n<p>Baz Luhrmann&#8217;s &#8216;<strong>The Great Gatsby<\/strong>&#8216; also held over very well, adding $23.4 million to its $90.1 million domestic total. It has been said that &#8216;Gatsby&#8217; actually upset &#8216;Star Trek&#8217; overseas, but no numbers for the international debut have been announced.<\/p>\n<p>After the #3 spot, the remainder of the Top 10 totals drop between $3.1 million and $1.1 million. There are no surprises found within those seven titles.<\/p>\n<p>The only of the indie releases to have box office numbers announced (so far) is Noah Baumbach&#8217;s &#8216;<strong>Frances Ha<\/strong>&#8216;. Co-written by Baumbach and star Greta Gerwig, the dry dramedy earned $134,000 from just four screens, giving it a per-screen average of $33,500.<\/p>\n<h5>Top 10:<\/h5>\n<p>1. &#8216;Star Trek into Darkness&#8217; (Paramount) &#8211; $70,555,000<\/p>\n<p>2. &#8216;Iron Man 3&#8217; (Buena Vista) &#8211; $35,182,000<\/p>\n<p>3. &#8216;The Great Gatsby&#8217; (Warner Bros.) &#8211; $23,415,000<\/p>\n<p>4. &#8216;Pain &amp; Gain&#8217; (Paramount) &#8211; $3,100,000<\/p>\n<p>5. &#8216;The Croods&#8217; (Fox) &#8211; $2,750,000<\/p>\n<p>6. &#8217;42&#8217; (Warner Bros.) &#8211; $2,730,000<\/p>\n<p>7. &#8216;Oblivion&#8217; (Universal) &#8211; $2,222,000<\/p>\n<p>8. &#8216;Mud&#8217; (Roadside) &#8211; $2,160,000<\/p>\n<p>9. &#8216;Peeples&#8217; (Lionsgate) &#8211; $2,150,000<\/p>\n<p>10. &#8216;The Big Wedding&#8217; (Lionsgate) &#8211; $1,100,000<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>As this weekend proves, you don&#8217;t have to be a nerd to be a &#8216;Star Trek&#8217; fan.<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_excerpt --><!-- AddThis Share Buttons generic via filter on the_excerpt -->","protected":false},"author":13,"featured_media":51339,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[139,743],"tags":[178,6418,5133,188,454],"_links":{"self":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/51336"}],"collection":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/comments?post=51336"}],"version-history":[{"count":5,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/51336\/revisions"}],"predecessor-version":[{"id":51454,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/51336\/revisions\/51454"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media\/51339"}],"wp:attachment":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media?parent=51336"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/categories?post=51336"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/tags?post=51336"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}