{"id":5020,"date":"2010-08-11T10:00:41","date_gmt":"2010-08-11T17:00:41","guid":{"rendered":"http:\/\/www.highdefdigest.com\/blog\/?p=5020"},"modified":"2017-03-30T14:02:42","modified_gmt":"2017-03-30T21:02:42","slug":"scott-pilgrim-review","status":"publish","type":"post","link":"https:\/\/www.highdefdigest.com\/blog\/scott-pilgrim-review\/","title":{"rendered":"Now Playing: &#8216;Scott Pilgrim&#8217; Rocks My World"},"content":{"rendered":"<p>In the first few seconds of &#8216;Scott Pilgrim vs. the World,&#8217; Edgar Wright&#8217;s whirligig film adaptation of Bryan Lee O&#8217;Malley&#8217;s comic book series, the Universal globe creeps across the screen. It&#8217;s the familiar logo, except that its edges are jagged. Instead of the blustery orchestral accompaniment, it sounds (and looks) more like a videogame. In these moments, before the movie has even properly begun, the tone is set \u2013 this is a movie set inside its own pop culture kaleidoscope, where movies crash into videogames and come out the other side altogether different. If you&#8217;re rolling your eyes at this, then you&#8217;ve already checked out of the movie. Might as well go out to the lobby to find out when the next screening of &#8216;<a href=\"https:\/\/www.highdefdigest.com\/blog\/salt-review\/\">Salt<\/a>&#8216; is playing.<\/p>\n<h6><!--more--><\/h6>\n<p>&#8216;Scott Pilgrim vs. the World&#8217; has a rather simple story at its core: Scott Pilgrim (Michael Cera) is an aimless twenty-something living in Toronto. He shares a crummy apartment with his gay friend Wallace Wells (Kieran Culkin, stealing every scene). And he&#8217;s sort-of dating a teenager named Knives Chau (Ellen Wong). He plays in a raucous indie rock band called Sex Bob-omb (itself a reference to early &#8216;Mario Bros.&#8217; games). Scott&#8217;s &#8220;precious little life&#8221; is turned upside down when he meets the mysterious Ramona Flowers (Mary Elizabeth Winstead), a girl who wears goggles on her head and changes her hair color every week and a half. Of course, this means navigating the tricky emotional minefield of breaking up with Knives, and the even trickier minefield of battling Ramona&#8217;s seven evil exes for the girl&#8217;s heart.<\/p>\n<p>This is sort of like the trials and tribulations aspect of a typical romantic comedy but expanded to a decidedly cartoonish degree. Literally. Every movement is accompanied by a graphic sound effect. When Knives pronounces her love for Scott in an indie record store, it comes out as a plume of noxious pink smoke. Later, when Ramona and Scott kiss, their lip lock produces sparks of heart-shaped confetti.<\/p>\n<p><a href=\"https:\/\/www.highdefdigest.com\/blog\/wp-content\/uploads\/2010\/08\/Scott-Pilgrim-Punch.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.highdefdigest.com\/blog\/wp-content\/uploads\/2010\/08\/Scott-Pilgrim-Punch.jpg\" title=\"Scott Pilgrim's PUNCH-OUT!!\" width=\"225\" height=\"168\" class=\"alignright size-full wp-image-5023\" srcset=\"https:\/\/www.highdefdigest.com\/blog\/wp-content\/uploads\/2010\/08\/Scott-Pilgrim-Punch.jpg 400w, https:\/\/www.highdefdigest.com\/blog\/wp-content\/uploads\/2010\/08\/Scott-Pilgrim-Punch-300x225.jpg 300w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/a>Once Scott comes in contact with Ramona&#8217;s evil exes, the fights take on an even larger videogame feel. All of her exes (such as a skateboarder-turned-actor played by Chris Evans and a music producer played by Jason Schwartzman) offhandedly possess superpowers. In my favorite &#8220;boss battle,&#8221; Scott&#8217;s band plays against a pair of evil exes who are also musicians. They battle across a dance floor via huge, swirling monsters. Oh, and when Scott fells the exes, they explode into a shower of glittery coins.<\/p>\n<p>Edgar Wright has always been an uncanny master of the genre mash-up, from his zombie rom-com &#8216;<a href=\"https:\/\/bluray.highdefdigest.com\/2503\/shaunofthedead.html\">Shaun of the Dead<\/a>&#8216; to his action comedy by way of Agatha Christie &#8216;<a href=\"https:\/\/bluray.highdefdigest.com\/2502\/hotfuzz.html\">Hot Fuzz<\/a>.&#8217; &#8216;Scott Pilgrim&#8217; might be his boldest experiment yet. Wright spent almost a year in post production, tweaking constantly to get the comic-book-meets-videogame-meets-action-movie-meets-sitcom feel right. The film moves so quickly and has so many amazing visual embellishments that I wanted to stop the movie, pause it and rewind it, because I was sure I was missing something. It assaults and dazzles at the same time.<\/p>\n<p>In this crazy pop culture m\u00e9lange, it has something unique and resonant to say about the current generation of twenty-somethings. (People over the age of 30 are sure to be mystified.) This is a culture that has grown up on videogames and movies, which have not only shaped the way they think and live, but also the way they interact and experience love. I&#8217;m hesitant to call &#8216;Scott Pilgrim vs. the World&#8217; our generation&#8217;s &#8216;Annie Hall&#8217; \u2013 a romantic comedy that defines (and is defined by) the culture \u2013 but, well, I&#8217;ll go ahead and call it our generation&#8217;s &#8216;Annie Hall.&#8217; Sure, it&#8217;s messy, but so is love. Being based on a six-part comic book series means that it doesn&#8217;t follow the familiar three-act narrative beats. But the movie leaves you with something more, something emotional, that you never quite expect. The resonance of the film is its ultimate &#8220;one up.&#8221; It&#8217;s also what makes &#8216;Scott Pilgrim&#8217; a certifiable masterpiece, instead of something that&#8217;s just really, really cool. But, you know, it&#8217;s that too.<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>In the first few seconds of &#8216;Scott Pilgrim vs. the World,&#8217; Edgar Wright&#8217;s whirligig film adaptation of Bryan Lee O&#8217;Malley&#8217;s comic book series, the Universal globe creeps across the screen. It&#8217;s the familiar logo, except that its edges are jagged. Instead of the blustery orchestral accompaniment, it sounds (and looks) more like a videogame. In&#8230;<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_excerpt --><!-- AddThis Share Buttons generic via filter on the_excerpt -->","protected":false},"author":7,"featured_media":5022,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[743],"tags":[1045,1046,1043,1044,1042,489,1017],"_links":{"self":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/5020"}],"collection":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/comments?post=5020"}],"version-history":[{"count":12,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/5020\/revisions"}],"predecessor-version":[{"id":5040,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/5020\/revisions\/5040"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media\/5022"}],"wp:attachment":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media?parent=5020"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/categories?post=5020"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/tags?post=5020"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}