{"id":42295,"date":"2012-10-15T10:00:41","date_gmt":"2012-10-15T17:00:41","guid":{"rendered":"http:\/\/www.highdefdigest.com\/blog\/?p=42295"},"modified":"2018-03-21T10:02:19","modified_gmt":"2018-03-21T17:02:19","slug":"nashville-pilot-recap","status":"publish","type":"post","link":"https:\/\/www.highdefdigest.com\/blog\/nashville-pilot-recap\/","title":{"rendered":"&#8216;Nashville&#8217; Pilot Recap: &#8220;Thank God for Auto-Tune&#8221;"},"content":{"rendered":"<p>In recent weeks, ABC has promoted its new series &#8216;Nashville&#8217; as if it were <em>the<\/em> great new drama of the season. As someone who isn&#8217;t much of a country music fan, I had to approach this with some skepticism. Color me pleasantly surprised, then, to find that the pilot episode is pretty good after all.<br \/>\n<!--more--><\/p>\n<p>I&#8217;m sure that no one is actually confused by this, but I feel it necessary to point out that this &#8216;Nashville&#8217; has no relation to the famous Robert Altman film of the same name, other than a common setting and theme. The series was created by Callie Khouri, the Oscar-winning screenwriter of &#8216;Thelma &#038; Louise&#8217;. Connie Britton from &#8216;Friday Night Lights&#8217; and &#8216;American Horror Story&#8217; stars as <em>&#8220;Reigning Queen of Country&#8221;<\/em> Rayna James, a fading superstar whose latest album has underperformed and whose concert tour isn&#8217;t selling well. To put her back in the spotlight, her record label insists that she &#8220;co-headline&#8221; (read: &#8220;open for&#8221;) hot young ing\u00e9nue starlet Juliette Barnes (Hayden Panettiere), a raging super-bitch with no respect for her musical elders. The offer is insulting, to say the least. Unfortunately, Rayna may not be in a position to refuse. Her husband&#8217;s failed business has left the family in tough financial straits. <\/p>\n<p>Around this storyline are several subplots. Juliette attempts to seduce and steal Rayna&#8217;s bandleader Deacon (Charles &#8220;Chip&#8221; Esten), with whom Rayna used to be romantically involved. Rayna&#8217;s close friendship with the current mayor is strained when her father (Powers Boothe), a devious political power-player in the city, backs her husband to run in the upcoming election. This forces Rayna to choose between her friend and her husband. <\/p>\n<p>By episode&#8217;s end, Rayna walks away from her record label rather than suffer the indignity of playing second fiddle to Juliette. Just as this looks like it may have been a terrible mistake, her friend (a talent scout) discovers that Deacon&#8217;s teenage niece may be an emerging songwriter who could help revitalize Rayna&#8217;s career.<\/p>\n<p>The episode has great performances from most of the cast, and some really terrific music. The writing is also pretty good for the most part, though I fear that Juliette and her rivalry with Rayna are too schematic and thinly sketched. She seems to be a bitch just for the sake of being a bitch, which isn&#8217;t all that interesting, and Panettiere doesn&#8217;t do much to make her sympathetic. Hopefully, a storyline about her estranged junkie mother may bring a little bit of depth to this underdeveloped character. <\/p>\n<p>I don&#8217;t know that &#8216;Nashville&#8217; quite lives up to all of the network&#8217;s hype, but so far it has a lot more potential than I expected.<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>In recent weeks, ABC has promoted its new series &#8216;Nashville&#8217; as if it were the great new drama of the season. As someone who isn&#8217;t much of a country music fan, I had to approach this with some skepticism. Color me pleasantly surprised, then, to find that the pilot episode is pretty good after all.<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_excerpt --><!-- AddThis Share Buttons generic via filter on the_excerpt -->","protected":false},"author":5,"featured_media":42300,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[369],"tags":[28,5726,3888,2795,5724,5725,406,168],"_links":{"self":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/42295"}],"collection":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/comments?post=42295"}],"version-history":[{"count":12,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/42295\/revisions"}],"predecessor-version":[{"id":90798,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/42295\/revisions\/90798"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media\/42300"}],"wp:attachment":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media?parent=42295"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/categories?post=42295"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/tags?post=42295"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}