{"id":40663,"date":"2012-09-17T08:00:03","date_gmt":"2012-09-17T15:00:03","guid":{"rendered":"http:\/\/www.highdefdigest.com\/blog\/?p=40663"},"modified":"2012-09-17T06:36:55","modified_gmt":"2012-09-17T13:36:55","slug":"boxoffice-sept-17-2012","status":"publish","type":"post","link":"https:\/\/www.highdefdigest.com\/blog\/boxoffice-sept-17-2012\/","title":{"rendered":"Weekend Box Office: Zombies Limp to First Place"},"content":{"rendered":"<p>Each of this weekend&#8217;s wide releases underperformed studio predictions, but there&#8217;s one bit of news worth noting. In limited release, P.T. Anderson&#8217;s latest drama, &#8216;<strong>The Master<\/strong>&#8216;, crushed an indie record recently set by Wes Anderson&#8217;s &#8216;Moonrise Kingdom&#8217;. (Is it just a coincidence that both directors carry the last name Anderson?) In May, the latter scored a record for Best Per-Screen Live-Action Opening with $130,749. This weekend, &#8216;The Master&#8217; toppled that with a $146,000 per-screen average on five screens. The expansion for &#8216;The Master&#8217; can&#8217;t come quickly enough. Since I&#8217;ll be in Southern California next weekend, I hope that a nearby screen will play it there.<br \/>\n<!--more--><\/p>\n<p>The #1 movie this weekend was &#8216;<strong>Resident Evil: Retribution<\/strong>&#8216;, the fifth entry in Paul W.S. Anderson&#8217;s videogame-based action series. The stylized 3D flick pulled in $21.1 million, which is actually the weakest opening of the series since its big screen debut in 2002. The respective premieres for the franchise were $17.7 million, $23 million, $23.7 million, $26.7 million and (now) $21.1 million. Taking into account the 3D surcharge and attendance, &#8216;Retribution&#8217; actually brought in the least number of domestic viewers of any of the five films to date.<\/p>\n<p>Disney&#8217;s 3D re-release of Pixar&#8217;s &#8216;<strong>Finding Nemo<\/strong>&#8216; brought in enough to earn the #2 spot. Its $17.5 million opening isn&#8217;t as noteworthy as last year&#8217;s reissue of &#8216;<a href=\"https:\/\/bluray.highdefdigest.com\/4546\/lionking3d.html\">Lion King<\/a>&#8216;, but it&#8217;s right on par with &#8216;<a href=\"https:\/\/bluray.highdefdigest.com\/569\/beautyandthebeast1992.html\">Beauty and the Beast<\/a>&#8216;. It will be interesting to see how the &#8216;<a href=\"https:\/\/bluray.highdefdigest.com\/2155\/monstersinc.html\">Monsters Inc.<\/a>&#8216; 3D re-release plays out later this year.<\/p>\n<p>&#8216;<strong>The Possession<\/strong>&#8216; was finally dethroned from its two-week stint in the top spot, but its 38% drop-off still gave the PG-13 horror title another $5.8 million. To date, the $14 million movie has grossed more than $41 million domestically. <\/p>\n<p>The Weinstein Company&#8217;s &#8216;<strong>Lawless<\/strong>&#8216; and Focus Features&#8217; &#8216;<strong>ParaNorman<\/strong>&#8216; fared very well again this weekend. &#8216;Lawless&#8217; took fourth place, sliding less than 30%. The bootlegging crime thriller added another $4.2 million to its $30.1 million haul. After five weekends, &#8216;ParaNorman&#8217; rounded out the Top 5 with a 27% decline, adding another $3 million to its nearly $50 million run.<\/p>\n<p>The twelfth-place opening of &#8216;<strong>Arbitrage<\/strong>&#8216; would be notable had &#8216;The Master&#8217; not eclipsed it as it the best per-screen debut this weekend. On 197 screens, &#8216;Arbitrage&#8217; pulled in $2 million, which warrants a $10,508 per-screen average \u2013 almost identical to that of last year&#8217;s &#8216;<a href=\"https:\/\/bluray.highdefdigest.com\/6115\/margin_call.html\">Margin Call<\/a>&#8216;.<\/p>\n<p>The #15 spot went to a movie that I&#8217;d never heard of until now, a Christian drama titled &#8216;<strong>Last Ounce of Courage<\/strong>&#8216;. The story of the grieving father and son of a fallen soldier, &#8216;Courage&#8217; brought in $1.7 million on 1,407 screens. This lackluster total doesn&#8217;t hold a candle to other recent faith-based dramas such as last September&#8217;s &#8216;<a href=\"https:\/\/bluray.highdefdigest.com\/6172\/courageous.html\">Courageous<\/a>&#8216;, which opened to $9.1 million.<\/p>\n<p>Performing slightly better than &#8216;Courage&#8217; was &#8216;<strong>Stolen<\/strong>&#8216;. On 141 screens, the Simon West-directed, David Guggenheim-penned Nic Cage action flick pulled in $204,000. Josh Radnor&#8217;s comedy &#8216;<strong>Liberal Arts<\/strong>&#8216; performed much better, drawing $30,000 on just four screens.<\/p>\n<h5>Top 10:<\/h5>\n<p>1. &#8216;Resident Evil: Retribution&#8217; (Screen Gems) &#8211; $21,100,000<\/p>\n<p>2. &#8216;Finding Nemo (3D)&#8217; (Buena Vista) &#8211; $17,504,000<\/p>\n<p>3. &#8216;The Possession&#8217; (Lionsgate) &#8211; $5,800,000<\/p>\n<p>4. &#8216;Lawless&#8217; (Weinstein) &#8211; $4,219,000<\/p>\n<p>5. &#8216;ParaNorman&#8217; (Focus) &#8211; $3,039,000<\/p>\n<p>6. &#8216;The Expendables 2&#8217; (Lionsgate) &#8211; $3,030,000<\/p>\n<p>7. &#8216;The Words&#8217; (CBS) &#8211; $2,880,000<\/p>\n<p>8. &#8216;The Bourne Legacy&#8217; (Universal) &#8211; $2,875,000<\/p>\n<p>9. &#8216;The Odd Life of Timothy Green&#8217; (Buena Vista) &#8211; $2,511,000<\/p>\n<p>10. &#8216;The Campaign&#8217; (Warner Bros.) &#8211; $2,405,000<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>Each of this weekend&#8217;s wide releases underperformed studio predictions, but there&#8217;s one bit of news worth noting. In limited release, P.T. Anderson&#8217;s latest drama, &#8216;The Master&#8216;, crushed an indie record recently set by Wes Anderson&#8217;s &#8216;Moonrise Kingdom&#8217;. (Is it just a coincidence that both directors carry the last name Anderson?) In May, the latter scored&#8230;<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_excerpt --><!-- AddThis Share Buttons generic via filter on the_excerpt -->","protected":false},"author":13,"featured_media":40684,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[139,743],"tags":[198,5608,178,5593,5047,4574,4827,5206,5610,5418,5554],"_links":{"self":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/40663"}],"collection":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/comments?post=40663"}],"version-history":[{"count":13,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/40663\/revisions"}],"predecessor-version":[{"id":41045,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/40663\/revisions\/41045"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media\/40684"}],"wp:attachment":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media?parent=40663"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/categories?post=40663"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/tags?post=40663"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}