{"id":3406,"date":"2010-07-02T10:00:35","date_gmt":"2010-07-02T17:00:35","guid":{"rendered":"http:\/\/www.highdefdigest.com\/blog\/?p=3406"},"modified":"2018-02-15T19:17:17","modified_gmt":"2018-02-16T03:17:17","slug":"weekend-movies-twilight-airbender","status":"publish","type":"post","link":"https:\/\/www.highdefdigest.com\/blog\/weekend-movies-twilight-airbender\/","title":{"rendered":"Weekend Movies: Werewolves and Vampires and Airbenders! Oh My!"},"content":{"rendered":"<p>July Fourth weekend is typically one of the biggest for the Hollywood studios. This is, after all, the lucrative weekend that Will Smith spent many a summer lording over with effects-filled extravaganzas. (This year, he seems to have handed the reins over to his son, who continues to kick butt in the li&#8217;l blockbuster remake of &#8216;The Karate Kid.&#8217;) This July Fourth weekend, we only have two big contenders, and both of them opened earlier this week: M. Night Shyamalan&#8217;s would-be franchise starter &#8216;The Last Airbender&#8217; and the latest in the droning, sex-and-violence-free &#8216;Twilight&#8217; series, &#8216;Eclipse.&#8217; It&#8217;s not like this summer has been littered with minor Hollywood works that would make perfect fall-back fodder for this weekend, either. (This is especially true if, like me, you&#8217;ve already seen the masterful &#8216;<a href=\"https:\/\/www.highdefdigest.com\/blog\/toy-story-3-review\/\">Toy Story 3<\/a>&#8216; a handful of times.)<\/p>\n<h6><!--more--><\/h6>\n<p>Firstly, I could probably write my Weekend Box Office post right now. &#8216;<a href=\"https:\/\/www.highdefdigest.com\/blog\/twilight-eclipse-review\/\">The Twilight Saga: Eclipse<\/a>&#8216; is already kicking much ass. Not only did it break all midnight opening records (with $30 million), but it also made back its budget on the first day it was officially in wide release. Jeezy Creezy. Some estimates have the fang-banging third entry in the deliriously successful series racking up as much as $178 million for the six-day July Fourth weekend. That would just be one spider-web shy of besting the &#8216;<strong>Spider-Man 2<\/strong>&#8216; $180 million all-time best Independence Day opening back in 2004. Chances are, if you&#8217;re a teenage girl or lover of the novels (or are close to a teenage girl or lover of the novels), you&#8217;ve already seen the movie and have been taken aback by how ponderous and ineffective it was. Or maybe you were just staring at all the bad wigs.<\/p>\n<p>Equally dreadful is M. Night Shyamalan&#8217;s &#8216;<a href=\"https:\/\/www.highdefdigest.com\/blog\/last-airbender-review\/\">The Last Airbender<\/a>.&#8217; I know that it&#8217;s become very hip to rag on James Cameron&#8217;s &#8216;<a href=\"https:\/\/bluray.highdefdigest.com\/2915\/avatar.html\">Avatar<\/a>.&#8217; But watching &#8216;The Last Airbender&#8217; (which briefly entered into a title-dispute feud with the sci-fi epic, since the cartoon the movie is based on is called &#8216;<em>Avatar<\/em>: The Last Airbender&#8217;), I was struck by the power of simplicity and narrative focus in Cameron&#8217;s film. &#8216;Avatar&#8217; has an immediate and emotionally identifiable through-line. It doesn&#8217;t get cluttered by a bunch of needless subplots that complicate and muddy the message or the entertainment value of the movie. Hollywood now almost exclusively makes movies for 13-year-old boys. That much is a given. We have to focus on the craft of these fluffy entertainments and whether anything about them actually rings true on any kind of emotional level. Oh, and whether or not they&#8217;re entertaining, which &#8216;The Last Airbender&#8217; most certainly is not.<\/p>\n<p><a href=\"https:\/\/www.highdefdigest.com\/blog\/wp-content\/uploads\/2010\/07\/Phil-Spector.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.highdefdigest.com\/blog\/wp-content\/uploads\/2010\/07\/Phil-Spector.jpg\" title=\"I call this the 'Wall of Hair.'\" width=\"150\" height=\"150\" class=\"alignright size-full wp-image-3408\"\/><\/a>On the indie front, there are a bunch of so-so releases that I haven&#8217;t seen yet and aren&#8217;t worth devoting that much digital ink to. &#8216;<strong>Love Ranch<\/strong>&#8216; is about a Nevada whorehouse. It stars Helen Mirren and is directed by her husband, the chronically underrated Taylor Hackford. (Seriously, the dude is going to be seen as a legend in a couple of years.) The reviews on this one are pretty tepid, unfortunately. It currently clocks a <a href=\"https:\/\/www.metacritic.com\/film\/titles\/loveranch\">36 on Metacritic<\/a>. <\/p>\n<p>There are also a couple of documentaries. &#8216;<strong>The Agony and the Ecstasy of Phil Spector<\/strong>&#8216; is about the tortured &#8220;Wall of Sound&#8221; pioneer that fatally shot a B-movie actress in his home a few years ago. This one has a <a href=\"https:\/\/www.metacritic.com\/film\/titles\/agonyandtheecstasyofphilspector\">75 on Metacritic<\/a>. Then there&#8217;s a doc called &#8216;<strong>Great Directors<\/strong>,&#8217; which I&#8217;m interested in seeing in a &#8220;wait until it comes on DVD and put it on while I&#8217;m folding laundry&#8221; kind of way. It&#8217;s about great directors, obviously, and has racked up a <a href=\"https:\/\/www.metacritic.com\/film\/titles\/greatdirectors\">48 on Metacritic<\/a>.<\/p>\n<p>Because Monday&#8217;s a holiday, I&#8217;ll see you back here on Tuesday for the box office roundup. Watch out for next week. There are some &#8216;<strong>Predators<\/strong>&#8216; on the loose!<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>July Fourth weekend is typically one of the biggest for the Hollywood studios. This is, after all, the lucrative weekend that Will Smith spent many a summer lording over with effects-filled extravaganzas. (This year, he seems to have handed the reins over to his son, who continues to kick butt in the li&#8217;l blockbuster remake&#8230;<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_excerpt --><!-- AddThis Share Buttons generic via filter on the_excerpt -->","protected":false},"author":7,"featured_media":3407,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[743],"tags":[704,156,176,703,277,679,705,680,557,606,134],"_links":{"self":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/3406"}],"collection":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/comments?post=3406"}],"version-history":[{"count":19,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/3406\/revisions"}],"predecessor-version":[{"id":3585,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/3406\/revisions\/3585"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media\/3407"}],"wp:attachment":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media?parent=3406"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/categories?post=3406"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/tags?post=3406"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}