{"id":23309,"date":"2011-10-24T08:00:19","date_gmt":"2011-10-24T15:00:19","guid":{"rendered":"http:\/\/www.highdefdigest.com\/blog\/?p=23309"},"modified":"2017-10-05T12:27:07","modified_gmt":"2017-10-05T19:27:07","slug":"boxoffice-oct-24-2011","status":"publish","type":"post","link":"https:\/\/www.highdefdigest.com\/blog\/boxoffice-oct-24-2011\/","title":{"rendered":"Weekend Box Office: Abnormal Activity for a Horror Franchise"},"content":{"rendered":"<p>Horror sequels usually make money, but it&#8217;s rare to see a franchise&#8217;s third installment break the series opening record by $14 million, raking in a total of $54 million \u2013 $8 million of which came from Thursday night midnight showings.<br \/>\n<!--more--><\/p>\n<p>The &#8216;Paranormal Activity&#8217; franchise is every studio&#8217;s dream. Each year, you make one movie for almost nothing. (The new installment, &#8216;<a href=\"https:\/\/www.highdefdigest.com\/blog\/paranormal-activity-3-review\/\">Paranormal Activity 3<\/a>&#8216;, is the most expensive so far on a production budget of only $5 million.) You don&#8217;t have to deal with demanding actors or directors, and the films gross huge numbers. Hell, you don&#8217;t even have to write a fresh new script. Tweak the concept a tad and you&#8217;re set. It&#8217;s like the &#8216;Hangover&#8217; of horror movies \u2013 and this one just broke the record set by &#8216;Jackass 3-D&#8217; for biggest October opening of all time.<\/p>\n<p>With its cheap viral marketing campaign and a $15,000 budget (rumored to be around $4 million after Spielberg stuck his hand in it and changed the ending), the first &#8216;<a href=\"https:\/\/bluray.highdefdigest.com\/2851\/paranormalactivity.html\">Paranormal Activity<\/a>&#8216; earned $19 million in the first weekend of its wide release. One year later, &#8216;<a href=\"https:\/\/bluray.highdefdigest.com\/4281\/paranormalactivity2.html\">Paranormal Activity 2<\/a>&#8216; debuted with $40.6 million. And now, another year later, &#8216;Paranormal Activity 3&#8217; opens with $54 million. Compare that to the seven-film &#8216;Saw&#8217; franchise and you&#8217;ll see a completely different trend. The &#8216;Saw&#8217; respective openings were $18, $31, $33, $31, $30, $14 and $22 million. The third was installment was also the best &#8216;Saw&#8217; opener, but still $21 million shy of what &#8216;Paranormal Activity&#8217; has done.<\/p>\n<p>Summit Entertainment is still using the shotgun method of finding its niche. The studio&#8217;s newest film is a swashbuckler mixed with fantasy and cheese. &#8216;<strong>The Three Musketeers<\/strong>&#8216; opened in fourth place with $8.8 million. This is a new low for campy action director Paul W.S. Anderson, his worst since the 1998 Kurt Russell sci-fi flick &#8216;Soldier&#8217;. His two &#8216;Resident Evil&#8217; movies, &#8216;Death Race&#8217; and &#8216;Alien vs. Predator&#8217; all opened bigger than &#8216;The Three Musketeers&#8217;. Even his 1997 &#8216;Event Horizon&#8217; had a better opening \u2013 and that&#8217;s not taking into account inflation and the jacked-up 3D ticket prices for &#8216;The Three Musketeers&#8217;.<\/p>\n<p>Despite killing it overseas, &#8216;<a href=\"https:\/\/www.highdefdigest.com\/blog\/johnny-english-reborn-review\/\">Johnny English Reborn<\/a>&#8216; opened in eighth place with $3.8 million here. That&#8217;s less than half as much as 2003&#8217;s original &#8216;Johnny English&#8217;. The first film opened with $9.1 million, but it looks like the Americans who fell for it the first time weren&#8217;t about to make that same mistake with &#8216;Reborn&#8217;.<\/p>\n<p>Barely advertised &#8216;<strong>The Mighty Macs<\/strong>&#8216; opened just off the charts with $1 million from 975 locations. Perhaps the blame for this could be placed on a lack of marketing, the clich\u00e9d plot or the <a href=\"https:\/\/www.rottentomatoes.com\/m\/the_mighty_macs_2011\/\">46% <em>Rotten Tomatoes<\/em> score<\/a>. Only one movie in the Top 10 has a lower per-screen average than &#8216;The Mighty Macs&#8217;: &#8216;<a href=\"https:\/\/www.highdefdigest.com\/blog\/the-thing-2011-review\/\">The Thing<\/a>&#8216;.<\/p>\n<p>With its 56-screen limited opening, &#8216;<strong>Margin Call<\/strong>&#8216; was able to pull in $582,000. But the real limited release winners this weekend were &#8216;<strong>Martha Marcy May Marlene<\/strong>&#8216; and &#8216;<strong>Being Elmo: A Puppeteer&#8217;s Journey<\/strong>&#8216;. On four screens, &#8216;Martha&#8217; grossed $138,000 (that&#8217;s a $34,500 per-screen average), and on just one screen, &#8216;Being Elmo&#8217; earned $25,000. So far, &#8216;<strong>The Catechism Cataclysm<\/strong>&#8216; isn&#8217;t on the chart, so we&#8217;ll have to wait until the final numbers are in this afternoon to see where it lies \u2013 which is never a good omen.<\/p>\n<h5>Top 10:<\/h5>\n<p>1. &#8216;Paranormal Activity 3&#8217; (Paramount) &#8211; $54,020,000<\/p>\n<p>2. &#8216;Real Steel&#8217; (Buena Vista) &#8211; $11,319,000<\/p>\n<p>3. &#8216;Footloose&#8217; (Paramount) &#8211; $10,850,000<\/p>\n<p>4. &#8216;The Three Musketeers&#8217; (Summit) &#8211; $8,800,000<\/p>\n<p>5. &#8216;The Ides of March&#8217; (Sony) &#8211; $4,900,000<\/p>\n<p>6. &#8216;Dolphin Tale&#8217; (Warner Bros.) &#8211; $4,200,000<\/p>\n<p>7. &#8216;Moneyball&#8217; (Sony) &#8211; $4,050,000<\/p>\n<p>8. &#8216;Johnny English Reborn&#8217; (Universal) &#8211; $3,800,000<\/p>\n<p>9. &#8216;The Thing&#8217; (Universal) &#8211; $3,115,000<\/p>\n<p>10. &#8217;50\/50&#8242; (Summit) &#8211; $2,800,000<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>Horror sequels usually make money, but it&#8217;s rare to see a franchise&#8217;s third installment break the series opening record by $14 million, raking in a total of $54 million \u2013 $8 million of which came from Thursday night midnight showings.<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_excerpt --><!-- AddThis Share Buttons generic via filter on the_excerpt -->","protected":false},"author":13,"featured_media":24302,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[743],"tags":[3973,178,3894,3971,3972,3970,1253,1525,1252,2000,3293],"_links":{"self":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/23309"}],"collection":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/comments?post=23309"}],"version-history":[{"count":13,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/23309\/revisions"}],"predecessor-version":[{"id":24304,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/23309\/revisions\/24304"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media\/24302"}],"wp:attachment":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media?parent=23309"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/categories?post=23309"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/tags?post=23309"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}