{"id":11078,"date":"2011-01-26T08:00:59","date_gmt":"2011-01-26T16:00:59","guid":{"rendered":"http:\/\/www.highdefdigest.com\/blog\/?p=11078"},"modified":"2017-08-10T11:42:20","modified_gmt":"2017-08-10T18:42:20","slug":"statuesque-oscar-noms-2011-part1","status":"publish","type":"post","link":"https:\/\/www.highdefdigest.com\/blog\/statuesque-oscar-noms-2011-part1\/","title":{"rendered":"Statuesque: Oscar Nominations Analysis \u2013 Part 1"},"content":{"rendered":"<p>Yesterday was the big day, the day I&#8217;ve been speculating about and pondering over and wasting many sleepless nights thinking about: Oscar nomination day! While a lot of the nominees were foregone conclusions, there were some surprises too. More times than I expected, I sat up in my bed and said <em>&#8220;Huh?&#8221;<\/em> about the nominations. (By the way, did anyone see James Franco&#8217;s hilarious appearance on &#8216;The Today Show&#8217;? Insanely great.) Anyway, let&#8217;s go over some of the major categories, shall we? <\/p>\n<h6><!--more--><\/h6>\n<h5>BEST PICTURE<\/h5>\n<p>The Nominees:<\/p>\n<ul>\n<li>&#8216;Black Swan&#8217; (Fox Searchlight) <\/li>\n<li>&#8216;The Fighter&#8217; (Paramount) <\/li>\n<li>&#8216;Inception&#8217; (Warner Bros.) <\/li>\n<li>&#8216;The Kids Are All Right&#8217; (Focus Features) <\/li>\n<li>&#8216;The King\u2019s Speech&#8217; (The Weinstein Company) <\/li>\n<li>&#8216;127 Hours&#8217; (Fox Searchlight) <\/li>\n<li>&#8216;The Social Network&#8217; (Sony Pictures) <\/li>\n<li>&#8216;Toy Story 3&#8217; (Walt Disney) <\/li>\n<li>&#8216;True Grit&#8217; (Paramount) <\/li>\n<li>&#8216;Winter\u2019s Bone&#8217; (Roadside Attractions) <\/li>\n<\/ul>\n<p><strong>Biggest Surprise:<\/strong> &#8216;Winter&#8217;s Bone&#8217;, by a lonely stretch of Appalachian road. People loved this movie, especially critics, but I don&#8217;t think anyone thought that it would actually secure a Best Picture nomination. Not in a million years. Hopefully this means that people will actually, you know, watch the gritty, heartfelt Southern Gothic thriller.<\/p>\n<p><strong>Biggest Snub:<\/strong> I guess I was hoping that &#8216;Rabbit Hole&#8217; would secure a nomination. It&#8217;s the kind of adult drama that used to make people fall over (like &#8216;Ordinary People&#8217;). Nowadays, it can&#8217;t even get a nomination for Best Picture. Which is a shame, because it should have been. (Ditto &#8216;Blue Valentine&#8217;, even though that was a harder, more youthful sell for the notoriously aged Academy.) Also, folks thought &#8216;The Town&#8217; would sneak in there. It didn&#8217;t.<\/p>\n<p><strong>&#8220;Woo!&#8221; Factor:<\/strong> &#8216;Toy Story 3&#8217; became the third animated movie ever to be nominated for Best Picture, and the second such distinction for a Pixar film. Hell yeah!<\/p>\n<h5>BEST ACTOR<\/h5>\n<p>The Nominees:<\/p>\n<ul>\n<li>Javier Bardem, &#8216;Biutiful&#8217; <\/li>\n<li>Jeff Bridges, &#8216;True Grit&#8217;  <\/li>\n<li>Jesse Eisenberg, &#8216;The Social Network&#8217;  <\/li>\n<li>Colin Firth, &#8216;The King\u2019s Speech&#8217;  <\/li>\n<li>James Franco, &#8216;127 Hours&#8217; <\/li>\n<\/ul>\n<p><strong>Biggest Surprise:<\/strong> It was commonly thought that, despite the excellence of his performance, Jesse Eisenberg&#8217;s Mark Zuckerberg would be too cold and unlikable for Academy voters. I guess not.<\/p>\n<p><strong>Biggest Snub:<\/strong> When Michelle Williams was nominated for &#8216;Blue Valentine&#8217;, I thought surely that her co-star Ryan Gosling would also grab a nomination. Sadly, his portrayal of an emotionally wounded husband and father was\u2026 What&#8217;s the word?&#8230; Right, too subtle for Academy voters just looking to give the British guy with a speech impediment the win.<\/p>\n<p><strong>&#8220;Woo!&#8221; Factor:<\/strong> Javier Bardem, despite the difficult and problematic nature of the film he stars in, got a nomination for &#8216;Biutiful&#8217;. This just makes me so happy. His was one of my favorite characters in film all year, and Bardem characteristically knocked the role out of the park. I&#8217;m so glad he was recognized.<\/p>\n<h5>BEST SUPPORTING ACTOR<\/h5>\n<p>The Nominees:<\/p>\n<ul>\n<li>Christian Bale, &#8216;The Fighter&#8217;  <\/li>\n<li>John Hawkes, &#8216;Winter\u2019s Bone&#8217; <\/li>\n<li>Jeremy Renner, &#8216;The Town&#8217;  <\/li>\n<li>Mark Ruffalo, &#8216;The Kids Are All Right&#8217; <\/li>\n<li>Geoffrey Rush, &#8216;The King\u2019s Speech&#8217;  <\/li>\n<\/ul>\n<p><strong>Biggest Surprise:<\/strong> John Hawkes as the scuzzy, meth-head Teardrop (will you ever, really, forget Teardrop?) in &#8216;Winter&#8217;s Bone&#8217;. This was another one of my favorite performances and characters that I assumed would get overlooked in the mad crush of the Awards. He got it! Again: here&#8217;s hoping that it&#8217;ll make people watch the movie!<\/p>\n<p><strong>Biggest Snub:<\/strong> Andrew Garfield and Justin Timberlake, both the heart and id (respectively) of &#8216;The Social Network&#8217;, were left out in the cold.<\/p>\n<p><strong>&#8220;Woo!&#8221; Factor:<\/strong> While the movie was rightfully overlooked in almost every major category, Jeremy Renner was undeniably the high point of &#8216;The Town&#8217;. Both his delivery of the line <em>&#8220;Whose car are we taking?&#8221;<\/em> and the way he sips his soda toward the end of the film should be enough for him to win.<\/p>\n<h5>BEST ACTRESS<\/h5>\n<p>The Nominees:<\/p>\n<ul>\n<li>Annette Bening, &#8216;The Kids Are All Right&#8217;  <\/li>\n<li>Nicole Kidman, &#8216;Rabbit Hole&#8217;  <\/li>\n<li>Jennifer Lawrence, &#8216;Winter\u2019s Bone&#8217;  <\/li>\n<li>Natalie Portman, &#8216;Black Swan&#8217; <\/li>\n<li>Michelle Williams, &#8216;Blue Valentine&#8217; <\/li>\n<\/ul>\n<p><strong>Biggest Surprise:<\/strong> Again, Jennifer Lawrence was talked about, but I didn&#8217;t think anyone seriously believed she could compete with the big girls. Those naysayers were dead wrong. Her nomination probably edged out some other, bigger actresses like&#8230;<\/p>\n<p><strong>Biggest Snub:<\/strong> &#8230; Julianne Moore. Her co-star Annette Bening will be locked in a death match with Natalie Portman until Awards night, but Moore wasn&#8217;t even acknowledged as the other half of the lesbian couple at the heart of &#8216;The Kids Are All Right&#8217;. It&#8217;s a shame, really.<\/p>\n<p><strong>&#8220;Woo!&#8221; Factor:<\/strong> It&#8217;s a toss-up between Michelle Williams in &#8216;Blue Valentine&#8217; and Nicole Kidman in &#8216;Rabbit Hole&#8217;. Both are wonderful, adult dramas that were almost wholly overlooked. At least there will be some heat for them now!<\/p>\n<h5>BEST SUPPORTING ACTRESS<\/h5>\n<p>The Nominees:<\/p>\n<ul>\n<li>Amy Adams, &#8216;The Fighter&#8217;<\/li>\n<li>Helena Bonham Carter, &#8216;The King\u2019s Speech&#8217; <\/li>\n<li>Melissa Leo, &#8216;The Fighter&#8217;<\/li>\n<li>Hailee Steinfeld, &#8216;True Grit&#8217;<\/li>\n<li>Jacki Weaver, &#8216;Animal Kingdom&#8217; <\/li>\n<\/ul>\n<p><strong>Biggest Surprise:<\/strong> Two nominations for &#8216;The Fighter&#8217;? That&#8217;s pretty awesome, and I&#8217;m not sure anyone suspected it. I&#8217;m confused about Hailee Steinfeld&#8217;s inclusion here instead of the Best Actress category where she rightfully belongs. Who exactly is she supporting?<\/p>\n<p><strong>Biggest Snub:<\/strong> None of the &#8216;Black Swan&#8217; secondary players got any love here, which means no nomination for Mila Kunis, Winona Ryder or Barbara Hershey. That&#8217;s a shame, really.<\/p>\n<p><\/strong>&#8220;Woo!&#8221; Factor:<\/strong> That&#8217;ll have to go to Jacki Weaver as the diabolical head of an Australian crime family in the outrageously underseen &#8216;Animal Kingdom&#8217;. This makes me smile.<\/p>\n<h5>BEST DIRECTOR<\/h5>\n<p>The nominees:<\/p>\n<ul>\n<li>Darren Aronofsky, &#8216;Black Swan&#8217; <\/li>\n<li>Joel and Ethan Coen, &#8216;True Grit&#8217;<\/li>\n<li>David Fincher, &#8216;The Social Network&#8217;<\/li>\n<li>Tom Hooper, &#8216;The King\u2019s Speech&#8217; <\/li>\n<li>David O. Russell, &#8216;The Fighter&#8217;<\/li>\n<\/ul>\n<p><strong>Biggest Surprise:<\/strong> Danny Boyle didn&#8217;t get a nomination for his snazzy, stylish take on &#8216;127 Hours&#8217;. Instead, the gussied-up television production of &#8216;The King&#8217;s Speech&#8217; did. Oh, and what about that nomination for&#8230;<\/p>\n<p><strong>Biggest Snub:<\/strong> &#8230; Christopher Nolan? The dude did a magnificent job with &#8216;Inception&#8217;, the rare thinking person&#8217;s blockbuster. Considering the outcry after he was overlooked for &#8216;The Dark Knight&#8217;, you&#8217;d think he would have been a lock this time. As far as I&#8217;m concerned this is <strong>THE<\/strong> snub of all the nominations. I honestly cannot believe it. His lack of nomination also effectively takes the film out of the viable Best Picture race, because the Best Picture winner categorically also secures a Best Director win. It&#8217;s just infuriating.<\/p>\n<p><strong>&#8220;Woo!&#8221; Factor:<\/strong> Even though they could have just as easily been the guys who stole the spotlight from Nolan, I&#8217;m happy that the Coen Brothers got a nomination for &#8216;True Grit&#8217;. The movie&#8217;s huge collection of nominations was sort of a surprise, since it was overlooked at many of the other Awards shows. I&#8217;m glad it&#8217;s still in the game.<\/p>\n<p>That&#8217;s it for now. I&#8217;ll be back to look at technical awards and other things later.<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>Yesterday was the big day, the day I&#8217;ve been speculating about and pondering over and wasting many sleepless nights thinking about: Oscar nomination day! While a lot of the nominees were foregone conclusions, there were some surprises too. More times than I expected, I sat up in my bed and said &#8220;Huh?&#8221; about the nominations&#8230;.<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_excerpt --><!-- AddThis Share Buttons generic via filter on the_excerpt -->","protected":false},"author":7,"featured_media":11101,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4634],"tags":[1479,1668,1852,1237,774,726,1742,1378,1461,1868,500,1391,494],"_links":{"self":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/11078"}],"collection":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/comments?post=11078"}],"version-history":[{"count":15,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/11078\/revisions"}],"predecessor-version":[{"id":29859,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/posts\/11078\/revisions\/29859"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media\/11101"}],"wp:attachment":[{"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/media?parent=11078"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/categories?post=11078"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.highdefdigest.com\/blog\/wp-json\/wp\/v2\/tags?post=11078"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}