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	<title>High-Def Digest: The Bonus ViewXavier Dolan Archives - High-Def Digest: The Bonus View</title>
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		<title>Cannes Journal: Matthias &#038; Maxime</title>
		<link>https://www.highdefdigest.com/blog/cannes-2019-matthias-and-maxime-movie-review/</link>
		<comments>https://www.highdefdigest.com/blog/cannes-2019-matthias-and-maxime-movie-review/#respond</comments>
		<pubDate>Tue, 28 May 2019 15:00:30 +0000</pubDate>
		<dc:creator>Jason Gorber</dc:creator>
				<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Cannes]]></category>
		<category><![CDATA[Film Festival]]></category>
		<category><![CDATA[Matthias & Maxime]]></category>
		<category><![CDATA[Xavier Dolan]]></category>
		<guid isPermaLink="false">https://www.highdefdigest.com/blog/?p=98350</guid>
		<description><![CDATA[<p>Canadian filmmaker Xavier Dolan returns to Cannes with Matthias &#038; Maxime, the story of two childhood friends who long have harbored a quiet, unresolved affection for one another. Dolan of late is having a bit of an aesthetic crisis. Exploding on the international scene a decade ago with his Cannes debut I Killed My Mother,...</p>
<p>The post <a rel="nofollow" href="https://www.highdefdigest.com/blog/cannes-2019-matthias-and-maxime-movie-review/">Cannes Journal: Matthias &#038; Maxime</a> appeared first on <a rel="nofollow" href="https://www.highdefdigest.com/blog">High-Def Digest: The Bonus View</a>.</p>
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		<title>TIFF Journal: Boy Erased</title>
		<link>https://www.highdefdigest.com/blog/tiff-2018-boy-erased-movie-review/</link>
		<comments>https://www.highdefdigest.com/blog/tiff-2018-boy-erased-movie-review/#comments</comments>
		<pubDate>Tue, 18 Sep 2018 17:00:21 +0000</pubDate>
		<dc:creator>Jason Gorber</dc:creator>
				<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Boy Erased]]></category>
		<category><![CDATA[Film Festival]]></category>
		<category><![CDATA[Joel Edgerton]]></category>
		<category><![CDATA[Lucas Hedges]]></category>
		<category><![CDATA[Nicole Kidman]]></category>
		<category><![CDATA[Russell Crowe]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[Toronto]]></category>
		<category><![CDATA[Xavier Dolan]]></category>
		<guid isPermaLink="false">https://www.highdefdigest.com/blog/?p=93701</guid>
		<description><![CDATA[<p>In Boy Erased, Joel Edgerton directs a coming-of-age drama about conversion therapy, the dubious and often destructive practice of attempting to &#8220;cure&#8221; homosexuality through a combination of half-baked psychological practices and religious rites. Based in part on the memoir of the same name by Gerrard Conley, the film stars Lucas Hedges as Jared Eamons, the...</p>
<p>The post <a rel="nofollow" href="https://www.highdefdigest.com/blog/tiff-2018-boy-erased-movie-review/">TIFF Journal: Boy Erased</a> appeared first on <a rel="nofollow" href="https://www.highdefdigest.com/blog">High-Def Digest: The Bonus View</a>.</p>
]]></description>
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		<title>TIFF Journal: &#8216;It&#8217;s Only the End of the World&#8217;</title>
		<link>https://www.highdefdigest.com/blog/tiff-its-only-the-end-of-the-world-movie-review/</link>
		<comments>https://www.highdefdigest.com/blog/tiff-its-only-the-end-of-the-world-movie-review/#comments</comments>
		<pubDate>Mon, 12 Sep 2016 18:00:26 +0000</pubDate>
		<dc:creator>Philip Brown</dc:creator>
				<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Film Festival]]></category>
		<category><![CDATA[Gaspard Ulliel]]></category>
		<category><![CDATA[It's Only the End of the World]]></category>
		<category><![CDATA[Lea Seydoux]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[Toronto]]></category>
		<category><![CDATA[Vincent Cassel]]></category>
		<category><![CDATA[Xavier Dolan]]></category>
		<guid isPermaLink="false">http://www.highdefdigest.com/blog/?p=79983</guid>
		<description><![CDATA[<p>Xavier Dolan is a curious case. He burst onto the international filmmaking scene at 20 and was hailed as an impressive original voice while most folks in his generation were still figuring out if they even liked movies. Since then, he&#8217;s made almost a film a year and seems to alternate from living up to...</p>
<p>The post <a rel="nofollow" href="https://www.highdefdigest.com/blog/tiff-its-only-the-end-of-the-world-movie-review/">TIFF Journal: &#8216;It&#8217;s Only the End of the World&#8217;</a> appeared first on <a rel="nofollow" href="https://www.highdefdigest.com/blog">High-Def Digest: The Bonus View</a>.</p>
]]></description>
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		<title>&#8216;Elephant Song&#8217; Review: Out of Tune</title>
		<link>https://www.highdefdigest.com/blog/elephant-song-review/</link>
		<comments>https://www.highdefdigest.com/blog/elephant-song-review/#respond</comments>
		<pubDate>Fri, 27 Feb 2015 16:00:46 +0000</pubDate>
		<dc:creator>Philip Brown</dc:creator>
				<category><![CDATA[In Theaters Now]]></category>
		<category><![CDATA[Bruce Greenwood]]></category>
		<category><![CDATA[Catherine Keener]]></category>
		<category><![CDATA[Elephant Song]]></category>
		<category><![CDATA[Now Playing]]></category>
		<category><![CDATA[Xavier Dolan]]></category>
		<guid isPermaLink="false">http://www.highdefdigest.com/blog/?p=68446</guid>
		<description><![CDATA[<p>Translating a play to film certainly sounds like an easy task. After all, if the stage-bound material works you should just be able to point some cameras at it and call it a movie, right? Well, it&#8217;s not that simple. The mediums are quite different and the immediacy of a live performance tends to create...</p>
<p>The post <a rel="nofollow" href="https://www.highdefdigest.com/blog/elephant-song-review/">&#8216;Elephant Song&#8217; Review: Out of Tune</a> appeared first on <a rel="nofollow" href="https://www.highdefdigest.com/blog">High-Def Digest: The Bonus View</a>.</p>
]]></description>
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		<title>&#8216;Mommy&#8217; Review: Bad Mom, Worse Son</title>
		<link>https://www.highdefdigest.com/blog/mommy-2014-review/</link>
		<comments>https://www.highdefdigest.com/blog/mommy-2014-review/#respond</comments>
		<pubDate>Fri, 05 Dec 2014 16:00:59 +0000</pubDate>
		<dc:creator>Philip Brown</dc:creator>
				<category><![CDATA[In Theaters Now]]></category>
		<category><![CDATA[Mommy]]></category>
		<category><![CDATA[Now Playing]]></category>
		<category><![CDATA[Xavier Dolan]]></category>
		<guid isPermaLink="false">http://www.highdefdigest.com/blog/?p=66742</guid>
		<description><![CDATA[<p>Ever since his prize-winning debut at the Cannes Film Festival five years ago (when he was only 20) with &#8216;I Killed My Mother&#8217;, Xavier Dolan has been a new enfant terrible of the art house. Button pushing, stylistically aggressive and obsessed with reviving the artiest of art house conventions, he&#8217;s been almost as annoying a...</p>
<p>The post <a rel="nofollow" href="https://www.highdefdigest.com/blog/mommy-2014-review/">&#8216;Mommy&#8217; Review: Bad Mom, Worse Son</a> appeared first on <a rel="nofollow" href="https://www.highdefdigest.com/blog">High-Def Digest: The Bonus View</a>.</p>
]]></description>
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