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	<title>High-Def Digest: The Bonus ViewDogman Archives - High-Def Digest: The Bonus View</title>
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		<title>TIFF Journal: Dogman</title>
		<link>https://www.highdefdigest.com/blog/tiff-2018-dogman-movie-review/</link>
		<comments>https://www.highdefdigest.com/blog/tiff-2018-dogman-movie-review/#respond</comments>
		<pubDate>Tue, 11 Sep 2018 16:00:50 +0000</pubDate>
		<dc:creator>Philip Brown</dc:creator>
				<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Dogman]]></category>
		<category><![CDATA[Film Festival]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[Toronto]]></category>
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		<description><![CDATA[<p>A few years ago, director Matteo Garrone burst into the international filmmaking scene with Gomorrah, an almost anthropological study of the crime syndicates in the crumbling working class communities of Naples. It was a gangster epic set in a sad world where characters could only dream of Scarface-style flights of criminal fancy while struggling to...</p>
<p>The post <a rel="nofollow" href="https://www.highdefdigest.com/blog/tiff-2018-dogman-movie-review/">TIFF Journal: Dogman</a> appeared first on <a rel="nofollow" href="https://www.highdefdigest.com/blog">High-Def Digest: The Bonus View</a>.</p>
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		<title>Cannes Journal: &#8216;Dogman&#8217;</title>
		<link>https://www.highdefdigest.com/blog/cannes-2018-dogman-movie-review/</link>
		<comments>https://www.highdefdigest.com/blog/cannes-2018-dogman-movie-review/#respond</comments>
		<pubDate>Wed, 23 May 2018 16:00:26 +0000</pubDate>
		<dc:creator>Jason Gorber</dc:creator>
				<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Cannes]]></category>
		<category><![CDATA[Dogman]]></category>
		<category><![CDATA[Film Festival]]></category>
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		<description><![CDATA[<p>After causing an international splash with his sublime &#8216;Gomorrah&#8216; and the Grand Prix winning &#8216;Reality&#8217;, Italian director Matteo Garrone returned to Cannes in 2015 with the high concept flop &#8216;Tale of Tales&#8217;. The dark, gritty crime drama film &#8216;Dogman&#8217; is a welcome return to form. Garrone&#8217;s latest follows Marcello (Marcello Fonte), a short, sycophantic man...</p>
<p>The post <a rel="nofollow" href="https://www.highdefdigest.com/blog/cannes-2018-dogman-movie-review/">Cannes Journal: &#8216;Dogman&#8217;</a> appeared first on <a rel="nofollow" href="https://www.highdefdigest.com/blog">High-Def Digest: The Bonus View</a>.</p>
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