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	<title>High-Def Digest: The Bonus ViewThese Go to Eleven - High-Def Digest: The Bonus View</title>
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		<title>These Go to Eleven</title>
		<link>https://www.highdefdigest.com/blog/eleven-point-one-audio/</link>
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		<pubDate>Thu, 14 Apr 2011 13:00:53 +0000</pubDate>
		<dc:creator>Josh Zyber</dc:creator>
				<category><![CDATA[HT Gear]]></category>
		<category><![CDATA[11.1]]></category>
		<category><![CDATA[A/V Receiver]]></category>
		<category><![CDATA[Audyssey]]></category>
		<category><![CDATA[Dolby]]></category>
		<category><![CDATA[DTS]]></category>
		<category><![CDATA[Home Theater]]></category>
		<category><![CDATA[Surround Sound]]></category>
		<guid isPermaLink="false">http://www.highdefdigest.com/blog/?p=13108</guid>
		<description><![CDATA[<p>As you probably already know, Dolby&#8217;s ProLogic IIz audio decoding process adds height channels to the surround sound experience in a 5.1 or 7.1 home theater. Not to be outdone, competitors DTS and Audyssey have developed their own formats that bring us up to 11.1 channels of sound. The question I have is: Do we...</p>
<p>The post <a rel="nofollow" href="https://www.highdefdigest.com/blog/eleven-point-one-audio/">These Go to Eleven</a> appeared first on <a rel="nofollow" href="https://www.highdefdigest.com/blog">High-Def Digest: The Bonus View</a>.</p>
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