Of the forty-four sound films that Alfred Hitchcock directed over the course of his five-decade career, fifteen of them (or roughly one-third of his total output) are distinguished by one-word titles. Although I haven’t done a systematic study, I’d guess that’s a far greater ratio than any other director in history. Hitchcock apparently liked such brevity for its dramatic impact. The titles could be both straightforward and ambiguous, and often provided the viewer with a false sense of expectation and security. As we all know with Hitchcock, what you see is not always what you get, and in many cases the Hitchcock experience starts with the title. Most have suspense built in, so even the opening credits begin to set the mood. If, in a reel or two later, Hitchcock veers from the title’s appointed path, the film becomes even more exciting as a result.
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